Review by Bob Ignizio
Bram Stoker would scarcely recognize
the protagonist of DRACULA RISING.
Rather than the terrifying yet seductive monster of the classic
novel, this Dracula is more of a tragic action hero. Neither is there
much about him that would be familiar to any historian despite
efforts to tie the fictional Count Dracula to the real life 15th
century Prince and warlord. Just for starters, this Vlad is
Transylvanian, whereas the historical Vlad was ruler of Wallachia. If
you're not that concerned with historical accuracy or fidelity to the
source material, however, DRACULA RISING
is actually kind of fun.
With
all the epic battle scenes, gothic set design and costuming, heavy
use of CGI effects, and a cast filled with classy British actors
slumming it, it's not unfair to compare DRACULA RISING
to the UNDERWORLD
franchise. DRACULA
seems to be aiming for a slightly older audience with longer
attention spans, though. It's still trash, but it's classy trash.
The
story, previously “untold” as the film's title informs us,
functions as a sort of BATMAN BEGINS
or CASINO ROYALE for
the famous bloodsucker. Vlad (Luke Evans) was given to the Turks
along with 1000 other young Transylvanian boys by his father as part
of deal to insure peace in Transylvania. Suffering considerable abuse
at the hands of the Turks, Vlad eventually grows into a mighty
warrior known for impaling his enemies on spikes. As an adult he
returned home to rule, marrying the lovely Mirena (Sarah Gadon) with
whom he had a son, Ingeras (Art Parkinson). Although bearing the
scars of his travails, Vlad is happy. But then the Turks return once
more, seeking yet another tribute of Transylvania's youth.
Vlad
realizes he cannot fight off the Turks with his armies, but he is not
willing to give up any more children, especially his own son. The
only hope for victory is the dark power living on top of the
ominously named Broken Tooth Mountain, a vampire (Charles Dance) who
has been cursed to remain there until someone comes along to relieve
him of his curse by taking it upon themselves. Vlad is just the man
to do it, believing the power of the undead will allow him to
single-handedly destroy the Turkish armies. There's even a chance to
avoid damnation if Vlad can refrain from drinking human blood for
three days. Of course anyone familiar with the name Dracula knows how
that works out.
There
really isn't much fresh here – Francis Ford Coppolla proffered a
similar origin for his count in BRAM STOKER'S DRACULA,
the difference being that he dispensed with this part of the story in
about 10 minutes. Ditto for the notion that Vlad's wife will keep
being reincarnated until they eventually find each other again, which
also gets rehashed here. However the performances and the action
sequences are sufficiently entertaining, and Director Gary Shore
(making his feature debut after a career in commercials) has enough
visual style to warrant seeing this bit of cinematic junk food on the
big screen rather than at home. 2 ½ out of 4 stars.
I'm gonna give this one a chance because I love Dracula films...but I'm not expecting much. A twist in the origin here....a twist there...and lots of CGI! Ugh...let's see....at least you say there's some fun to be had.
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