[A
STRANGER IN PARADISE opens in
Mentor on Friday February 14th exclusively at Atlas Cinemas Great
Lakes Stadium 16.]
Review
by Bob Ignizio
Shot
entirely in Thailand, A STRANGER IN PARADISE
is a dramatic thriller set against a backdrop of organized crime and
vibrant nightlife. The plot has investment banker Josh (Colin
Egglesfield) being sent to Bangkok on a forced vacation by his boss,
a former classmate of his brother Paul (Stuart Townsend).
Paul
runs a nightclub that caters to some of the shadier characters in
town. He considers himself to be immune from any trouble, seeing his
club as neutral territory. That doesn't matter much to Lek (Byron
Mann), a gang member who shows up at the club trying to shake Paul
down.
When Josh arrives in Thailand he brings
with him an old high school yearbook given to him by his boss as a
present for Paul. Unbeknownst to the two brothers, the book contains
codes detailing the location of various illicit funds. Surprised to
find his brother has arrived so soon, Paul sends his female bodyguard
Jules (Catalina Sandino Moreno) to pick his brother up at the
airport, while his other retainer Derek (Gary Daniels) explains to
Lek that it isn't polite to threaten people in their own business
establishments.
From this point on, various factions
including Lek's gang, corrupt members of the Thai police force, and a
couple of American justice department officials are all chasing after
Josh and Paul trying to get their hands on the yearbook and the codes
it contains. In theory, much action should ensue, but that proves not
to be the case. Although it's a
fairly solid production by low budget movie standards (evidently it
was made for around $3,000,000), STRANGER
never quite comes to life.
Given
the level of material director/co-writer Corrado Boccia is working
with here, a little more in the way of action would have gone a long
way to compensate for the formulaic plot. Shoot an extra car chase,
add in a fight or two, maybe redo the scene where Josh sleeps with
two attractive prostitutes so that we actually see a little bit of
sex and nudity, and you'd have a serviceable “B” movie. In other
words, there's nothing wrong with A STRANGER IN PARADISE
that Roger Corman couldn't have fixed. But as it stands, the first
two thirds of the film are largely bereft of action, and the brief
and unimaginatively staged chases, fights, and shootings we do get
feel perfunctory at best.
One gets the impression Boccia was
trying for something more than just another low budget quickie with
STRANGER. One can
admire the ambition, but the result is a film that reaches beyond its
grasp. It wants to be one of those
movies with twists and turns where the lead character thinks his way
out of trouble, maybe something along the lines of THE
USUAL SUSPECTS given the
“flashbacks from a police interrogation room” structure of the
plot. The problem is, the script just isn't good enough or clever
enough to succeed on that level. Not only is the plot fairly run of
the mill, so are the characters who populate it. Moreno and Townsend
at least have enough presence to hold our attention, but Egglesfield
makes for a woefully bland protagonist.
STRANGER
might work okay as a movie you discover on the shelf of your
neighborhood video store (or nearest Red Box), or while browsing the
titles on whatever streaming service you happen to use. Under those
circumstances it might not only meet but exceed the usual
expectations for low budget action fare. But this movie is being
given a limited theatrical release, and it just isn't good enough to
compete on the same level as the Hollywood fare showing on the other
screens at the multiplex. Boccia is a competent filmmaker – this is
no THE ROOM or
FATEFUL FINDINGS. But
in trying to keep his film somewhat classy and more focused on drama
than action, it's like he's trying to beat the major studios at their
own game. That's kind of like bringing a knife to a gunfight. 2 out
of 4 stars.
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