“Blessed are the poor,”
opined evangelist Matthew. “For theirs is the
kingdom of heaven.”
The beatitude figures heavily in the sophomore science-fiction adventure from Neill Blomkamp, the
upstart South African director who delighted many fans of the genre (and
disgusted others) with his 2009 segregation allegory DISTRICT 9.
In ELYSIUM, urban blight has gone
global by the early 22nd century, leaving Earth ill, underfed,
overpopulated, and crime-infested. The
skyscrapers once occupied by well-to-do execs have been abandoned to street
urchins and opportunists, but most of the planet’s millions of luckless souls
live crammed in polluted slums and tent cities on the outskirts of the former metropolises. Sentry robots maintain order with iron hands
(literally) and have zero tolerance for resistance or sarcasm. Astounding advances have been made in science
and medicine, but the tech isn’t available to the impoverished 99%.

