Showing posts with label Michael Chernus. Show all posts
Showing posts with label Michael Chernus. Show all posts

Sunday, July 9, 2017

Spider-Man: Homecoming



Review by Bob Ignizio

Every once in a while, a mainstream film comes along that seems to please everyone. The critics give it high grades, general audiences feel like they got their money’s worth and then some, and even the nit picky fanboys pronounce it acceptable. And when that happens, there’s always that one critic (well, usually a few more than one, but you get the idea) who has to be the contrary asshole. Guess it’s my turn to be that critic with SPIDER-MAN: HOMECOMING

HOMECOMING thankfully skips the already twice-depicted-on-film story of how Peter Parker (Tom Holland) became Spider-Man, and instead picks up where we left the webslinger at the end of CAPTAIN AMERICA: CIVIL WAR. He’s just helped Tony Stark/Iron Man (Robert Downey Jr., natch) in his conflict with Captain America, and now thinks he’s ready for the super hero big leagues.

For Stark, though, Peter is largely an afterthought as he moves on to other projects and priorities. He leaves Peter with the fancy new suit he was given in CIVIL WAR, and assigns his personal assistant Happy Hogan (Jon Favreu) to keep an eye on the kid. It’s a job Hogan doesn’t take all that seriously, as he’s in the midst of moving all the various high-tech gadgetry from Avengers Tower to the team’s new HQ.

Thursday, August 13, 2015

People Places Things (opens in Cleveland August 14th at the Cedar Lee Theatre)

[PEOPLE PLACES THINGS opens in Cleveland on Friday August 14th exclusively at the Cedar Lee Theatre.]

Review by Pamela Zoslov


There is nothing revolutionary about James C. Strouse's PEOPLE PLACES THINGS. Many of the story elements of this modest independent have been seen many times, even in films as recent as this summer's Infinitely Polar Bear, which also depicted a dad struggling to care for two young daughters. Yet the movie has its own distinctive charm, as well as a disarming lead performance by New Zealand-born Jemaine Clement.