[BEFORE MIDNIGHT screens Saturday September 14th at 9:30 pm and Sunday September 15th at 6:30 pm at the Cleveland Cinematheque.]
Review by Pamela Zoslov
Review by Pamela Zoslov
In the 1995 film BEFORE SUNRISE,
Céline, the young woman played by Julie Delpy, tells Jesse, the
young man she has met on a train in Europe, that her mother always
regretted not pursuing a relationship with a certain young man she
had loved. Jesse (Ethan Hawke), the realist to Céline's idealist,
remarks that Céline mère
would only have regretted it later – real life could never measure
up to her fantasy.
Jesse's
statement presages BEFORE MIDNIGHT, the third in Richard
Linklater's romantic trilogy (after BEFORE SUNRISE and
its 2004 follow-up, BEFORE SUNSET).
The films are dialogue-heavy duets set in foreign locales, in which
the two principals talk about philosophy, literature, religion, sex,
and everything under the sun. Alongside their conversation –
sometimes captivating, other times insufferable – the pair enact a
tentative, growing intimacy. Strangers when they met – when Jesse
impulsively talked the bright, pretty French Céline into getting off
the train with him to spend a memorable day in Vienna -- they are by
now a couple, having reunited in Paris in BEFORE SUNSET.
Jesse, now a successful novelist, has divorced the wife he married in
the interregnum and decamped to Paris to join Céline and raise the
adorable Raphaelite twin daughters conceived during their reunion.
The exotic locale in BEFORE MIDNIGHT is a Greek island where Jesse and Céline have spent the summer with
friends and his teenage son, Hank, from a former marriage.

