It’s hard to imagine a bigger success than the Wachowskis' over-indulgent, ridiculous, confounding and gorgeous JUPITER ASCENDING, though I doubt the film’s ultimate financial take, review aggregator scores or pop cultural legacy will agree. As a movie, this latest sci-fi confection from THE MATRIX siblings Andy and Lana is maybe not so good. As a wild, drippy, impassioned love-letter to the classic space opera, though, it's outstanding.
Showing posts with label Eddie Redmayne. Show all posts
Showing posts with label Eddie Redmayne. Show all posts
Friday, February 6, 2015
Monday, November 24, 2014
The Theory of Everything
Review by Pamela Zoslov
At the Toronto International Film Festival screening of THE THEORY OF EVERYTHING, about the relationship between the famous physicist Stephen Hawking and his first wife, Jane, Hawking's nurse could be seen wiping a tear from Hawking's cheek. That is an eloquent endorsement of this rich and moving film, directed by James Marsh from an excellent screenplay by Anthony McCarten. It is a very traditional film, very well made, and quite worthy of its subject.
Other actors have portrayed Hawking, including Benedict Cumberbatch in a well-regarded BBC film, but Eddie Redmayne captures something of Hawking's mischievous character; even when largely paralyzed, confined to a wheelchair and unable to communicate except through his now-famous voice simulator, Redmayne's Hawking has a glint in his eye and a child's sense of play. Redmayne brilliantly captures the ambitious young genius in his school days, and also realistically inhabits Hawking's physical deterioration — no small feat — after the scientist's diagnosis, at age 21, of motor neurone disease during his last year at Oxford. At the time, Hawking was given two years to live. He is now 72, his survival due in no small part to Jane's support..
At the Toronto International Film Festival screening of THE THEORY OF EVERYTHING, about the relationship between the famous physicist Stephen Hawking and his first wife, Jane, Hawking's nurse could be seen wiping a tear from Hawking's cheek. That is an eloquent endorsement of this rich and moving film, directed by James Marsh from an excellent screenplay by Anthony McCarten. It is a very traditional film, very well made, and quite worthy of its subject.
Other actors have portrayed Hawking, including Benedict Cumberbatch in a well-regarded BBC film, but Eddie Redmayne captures something of Hawking's mischievous character; even when largely paralyzed, confined to a wheelchair and unable to communicate except through his now-famous voice simulator, Redmayne's Hawking has a glint in his eye and a child's sense of play. Redmayne brilliantly captures the ambitious young genius in his school days, and also realistically inhabits Hawking's physical deterioration — no small feat — after the scientist's diagnosis, at age 21, of motor neurone disease during his last year at Oxford. At the time, Hawking was given two years to live. He is now 72, his survival due in no small part to Jane's support..
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