[THE 2017 OSCAR
NOMINATED ANIMATED SHORT FILMS opens in Cleveland on Friday February 10th
exclusively at the Capitol Theatre, in Oberlin at the Apollo Theatre, and in Akron at The Nightlight Cinema.]
Review by Bob Ignizio
When the first Oscar for animated short film was awarded at
the 5th Academy Awards in 1932, short form animation was a standard part of the
moviegoing experience. Warner Brothers, Disney, MGM, Max Fleischer, and others
were all churning out multiple cartoons a year to play on the big screen. But
as animation has increasingly migrated to television, the animated theatrical
short has all but disappeared.
Still, there are enough of the things being made and shown today
to keep this category alive, if just barely. Some are mainstream fare, playing
in multiplexes alongside animated feature films from Disney, Pixar, and others.
Others are edgy and/or arty, aimed at the more mature filmgoers who attend
arthouse theaters like Cleveland's own Cinematheque and Cedar Lee. Both strains
are represented in this year's nominees. My thoughts on each follow.
"Borrowed Time"
Two Pixar animators team up to do a little something of
their own with the short "Borrowed Time". It's a western in which an
old, regret-filled Sheriff remembers an accident he was involved in, and feels
responsible for, many years ago. He's on the edge of falling into despair, but
just maybe there's some small thing that can pull him back from the abyss.
"Borrowed Time" looks like what you'd expect a
short by two guys who worked at Pixar to create. It's a little darker and more
philosophically grown-up than that studio's offerings, but still
family-friendly enough that your kids can watch. A respectable debut for this
team, at the very least.
"Pearl"
Former Disney/Pixar animator Patrick Osborne (he previously
took home an Oscar for directing Pixar's "Feast") does a slightly
more grown-up piece (I'm sensing a theme here) with "Pearl". It's the
story of a father/daughter relationship played out as music video, showing the
expected ups and downs of such a relationship, and the way certain things get
passed on through generations, sometimes whether we like it or not. The animation
looks like it uses traditional techniques like rotoscoping and paint on cels,
but there's obviously some computer assistance used as well. It's a bit
cloying, but I imagine many viewers will connect with it.
"Blind Vaysha"
The art style used in "Blind Vaysha" reminds me of
the crayon scratch off art I used to do in grade school, in a cool way. Directed
by Bulgarian born Peter Ushev, this Canadian short is a fairy tale about a girl
born with an unusual affliction. Her right eye only sees the past, and her left
eye only sees the future. Unable to see the present, she is rendered blind for
all intents and purposes. The message
isn't hard to pick up on, but it isn't heavy-handed, either.
"Pear Cider and Cigarettes"
If you've ever had a friend who was a complete self-destructive
fuck up, and yet was incredibly fun to be around, you'll relate to "Pear
Cider and Cigarettes". I certainly did. It's a morbidly enthralling wallow
in the depths as the short's narrator tells the story of his friendship with
Techno, a text book example of the sort I mentioned in my first sentence, from
first meeting until Techno's inevitable pathetic demise.
The short was directed by Robert Valley, who did character
design work for the Gorillaz music videos and TRON animated series. There's
humor, pathos, and insight into the human condition presented in a hip,
distinctive style that obviously owes more than a little to Japanese anime, but
is still undeniably western. The cool rock soundtrack adds to the effect. It's
the longest of the nominated shorts, but it's well worth the investment of a
half an hour of your time.
"Piper"
This is the short most likely to have been seen by the
average moviegoer prior to this program, having been shown before Disney/Pixar's
FINDING DORY in theaters. It's a
typically well done, clever toon from the Pixar folks. Not their best, but it's
a cute crowd pleaser about a baby seabird who learns a new way to get food and
shares it with his fellow foul.
Overall Program
3 of the shorts ("Piper", "Borrowed
Time", "Pearl") are very firmly planted in the middle of the
road. Their agreeable enough, but I doubt I'll remember much about them by the
time next year's nominees roll around. "Blind Vaysha" is the most
edgy and artsy of the bunch, while still remaining accessible enough that the
average viewer should be able to enjoy and "get" it. The winner for
me, though, is "Pear Cider and Cigarettes". It has a distinctive, if
still traditionally rooted, animation style, and for me it boasts what is the
most compelling story.
The program includes three other, non-nominated shorts:
"The Head Vanishes", "Asteria", and "Happy End".
These were not available for me to screen, but based on trailers I found online
they look intriguing. "Asteria" appears to be an CGI tale of space
exploration, "The Head Vanishes" an odd story of an old woman
visiting the seaside, and "Happy Endings" a black comedy in which a
drunk tractor driver runs someone over. It's hard to give a true star rating to
the program without seeing these three films, but based on the nominees alone
I'd say any fan of animation would want to check it out. Call it: 3 out of 4
stars.
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