As this year comes to an end, so does the Cleveland Movie
Blog. But first, one last obligatory year-end roundup article.
I had big plans for the last two weeks of December. I was
going to get out and see most, if not all, of the big end-of-year awards bait
movies playing locally. Alas, it was not to be. The whole family came down with
various illnesses – flus, colds, sinus infections – that are still lingering as
I write this.
So no, I did not see LADYBIRD,
THREE BILLBOARDS OUTSIDE EBBING MISSOURI,
THE DISASTER ARTIST, THE SHAPE OF WATER, or THE FLORIDA PROJECT. I didn’t even get
to see STAR WARS: THE LAST JEDI.
Despite missing all those prominent releases, I still
somehow managed to take in 160 first run features in 2017. Given that writing
about film is more of a hobby than a job (i.e. no one pays me for this), those
are respectable numbers. And out of those 160 films, there were more than enough
exemplary movies that I still feel good about my list. If anything, not it means
I have room to include some less ballyhooed movies that would, in any year, be
worthy of inclusion on a “Best of” list. So without further ado, here are my best
films of 2017, divided between scripted films and documentaries.
Top 20 Scripted films
20. (tie) HUNTER GATHERER
– Andre Royo (“Bubbles” on ‘The Wire’) is the heart and soul of this character
study about a lovable loser.
A GHOST STORY – A man haunts the house where he died, watching life
move on without him. A bit heavy on the indie artifice, but it resonates nonetheless.
19. ENDLESS POETRY – Alejandro Jodorowsky continues the visually
stunning autobiography he began with 2013’s THE DANCE OF REALITY.
18. MANIFESTO – Director Julian Rosenfeldt provides Cate Blanchett
with the opportunity to deliver an acting tour de force in this examination of
various artistic ideologies.
17. JULIETTA – Director Pedro Almodovar is in his comfort zone with
this family drama about a mother trying to reconnect with her estranged
daughter.
16. EVOLUTION – Comparisons to Lovecraft and Jean Rollin are fair, but
it’s hard to truly describe this strange, poetic dark fantasy from French
director Lucile Hadžihalilović. Better just to experience it.
15. THE LITTLE HOURS – Passions simmer and ultimately burst forth
in a medieval convent with results both erotic and humorous.
14. SLACK BAY – A surreal black comedy of class warfare and doomed
romance.
13. DAVE MADE A MAZE – A guy makes a box fort/maze in his apartment
and gets lost inside it. His friends try to help him out, but soon learn what a
dangerous proposition that is. One of the most entertaining and original films
of the year, even if I did have some issues with it.
12. BABY DRIVER –Edgar Wright’s masterful direction turns what, on
paper, is a fairly typical heist/romance film into a skillfully choreographed
ballet of action and music.
11. MY LIFE AS A ZUCCHINI – It’s a travesty that this tale of an
orphan finding a different kind of family was passed over for last year’s “Best
Animated Feature” Oscar. Do yourself a favor and check this out, and see if you
don’t agree. Note: probably not for younger kids.
10. NERUDA – More concerned with emotional truths than literal
ones, Pablo Larrain’s stylish film isn’t your average biopic.
9. THE BLACKCOAT’S DAUGHTER – In Oz Perkins’ subtle horror film,
being alone is more terrifying than demonic possession.
8. A MONSTER CALLS – Better stock up on tissues before watching
this tale of a boy coming to terms with his mother’s mortality, and his own
complex feelings about it.
7. MUDBOUND – This first rate drama about race relations in the
south at the end of World War II is impeccably written, acted, and directed. It
also has an ending that I did not see coming, something I always appreciate.
6. FRANTZ – In the wake of World War I, a German widow connects
with the mysterious Frenchman who visits her husband’s grave in Francois Ozon’s
beautifully shot romantic drama.
5. PERSONAL SHOPPER – Kirsten Dunst excels in this sort-of ghost
story about a woman examining the big questions of mortality and life after
death.
4. SUNTAN – A middle aged doctor’s pursuit of a much younger woman
starts out playfully before taking a dark and tragic turn.
3. DUNKIRK – A finely crafted war film with a great ensemble cast,
solid direction from Christopher Nolan, and a powerful score by Hans Zimmer
that ratchets up the tension.
2. IT COMES AT NIGHT – In a world ravaged by plague, distrust
proves as dangerous as any virus in Trey Edward Shults sophomore feature.
1. GET OUT – Jordan Peele’s racially charged riff on THE STEPFORD WIVES is a gripping horror
tale mixed with satire and social commentary.
Honorable Mention
THE BRAND NEW
TESTAMENT, CAPTAIN UNDERPANTS: THE FIRST EPIC MOVIE, THE DEVIL’S CANDY, DONALD
CRIED, THE GREATEST SHOWMAN, HIDDEN FIGURES, KONG: SKULL ISLAND, LOGAN, THE
LOST CITY OF Z, THE LOVE WITCH, LOVESONG, MIMOSAS, PATERSON, THE RED TURTLE, THINGS
TO COME, UNCLE KENT 2, WAR FOR THE PLANET OF THE APES, WILSON
Top 10 Documentaries
10. A MORE CIVIL WAR
– A worthy time capsule of the 2016 Republican National Convention.
9. CHASING CORAL –
Gorgeous underwater photography serves to bring home how much we stand to lose
as climate change endangers the world’s coral reefs.
8. AMERICAN ANARCHIST
– The author of ‘The Anarchist’s Cookbook’ looks back at his work with
ambivalence.
7. BURDEN – The life
and work of a groundbreaking modern artist.
6. ACCIDENTAL
COURTESY – A black musician befriends Ku Klux Klan members, and ultimately
changes the minds of many of them regarding race.
5. I AM NOT YOUR NEGRO - The civil rights movement as witnessed by one of its key activists, James Baldwin.
4. CITY OF GHOSTS
– Syrian journalists risk their lives to get the true story about the brutal ISIS
occupation of Raqqa out to the world.
3. WHOSE STREETS?
– The response to the police shooting of Michael Brown in Fergusson, MO as told
by those in the community.
2. UNTOUCHABLE –
An uncomfortable but necessary look at whether the way our criminal justice
system deals with sexual predators.
1. DAWSON CITY:
FROZEN TIME – Director Bill Morrison has crafted in a documentary that is part
time capsule and part tone poem. A piece of history, but also a work of art.
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