[MULTIPLE MANIACS
opens in Akron on Friday September 23rd exclusively at The Nightlight Cinema.]
Review by Bob Ignizio
John Waters has always been interested in shocking people
with his films. But as he writes in his aptly titled memoir 'Shock Value',
there's good bad taste, and bad bad taste. It's not enough just to be
offensive. Waters believes, to quote his book, that, "good bad taste can
be creatively nauseating but must, at the same time, appeal to the especially
twisted sense of humor, which is anything but universal." That pretty well
sums up MULTIPLE MANIACS, the black
and white feature length atrocity that preceded his infamous, career making
breakthrough PINK FLAMINGOS.
In MANIACS, bored
suburbanites are lured in to a twisted circus of sorts called "The
Cavalcade of Perversion." Mr. David (David Lochary) serves as master of
ceremonies, introducing such performers as, "the puke eater. He'll lap it
right up for you, he loves it," also promising, "you'll see two
actual queers kissing each other on the lips. These are actual queers!"
And the price is right: free! What bored bourgeoisie could resist?
The star attractions is Mr. David's girlfriend, Lady Divine
(Divine aka Glenn Harris Milstead). As it turns out, she doesn't really have an
act. Instead, she pulls a gun on the audience and demands they turn over their
cash and valuables. But Lady Divine has been growing increasingly unstable, and
winds up shooting one member of the audience who dares to insult her.
From there, things only get more surreal, offensive, and (if
you have that especially twisted sense of humor Mr. Waters wrote of) more
hilarious, as well.
Director/writer/producer/cameraman/editor Waters was pretty
green here, but still managed to turn in a fairly well shot and edited film. It
has been digitally restored for this release, and actually does benefit from
the makeover. There are still a multitude of rough edges, but the image now has
a sheen and clarity to it one would never have thought possible.
Waters's cast of regulars, the "Dreamlanders", are
pretty green, too. Some flubbed lines are still in the final cut, but the
enthusiasm and fearlessness of these (then young) performers more than makes up
for it. Aside from the aforementioned Divine and David Lochary, Edith Massey,
Mink Stole, Mary Vivian Pierce, Cookie Mueller, and Paul Swift all have
memorable roles.
It's not quite on the level of PINK FLAMINGOS, either in the sense of the filmmaking technique, or
in the degree of outrage and laughs in produces. But MULTIPLE MANIACS is nonetheless a highly entertaining film for
those who share Waters's sensibilities, and one that still possesses the power
to shock and appall for those who don't. Here's hoping the rest of Waters's early films get a similar restoration and re-release. 3 out of 4 stars.
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