By George Thomas
If the character of Jason Bourne ever runs out of personal
issues with the United States government, the franchise will actually run out
of steam.
As it was star Matt Damon took a one movie break from the
franchise, his last appearance coming in 2007’s THE BOURNE ULTIMATUM.
However, judging from JASON BOURNE, which opens on area
screens Friday, the day this series runs out of steam won’t be this week. That’s because director-writer Paul
Greengrass, who co-wrote with Christopher Rouse, knows exactly what keeps fans
returning to see the character Robert Ludlum created in literary form – the stylized
action that’s choreographed like the Bolshoi Ballet. Then, of course, Damon’s presence elevates
the film as Jason Bourne, a former CIA operative.
Over the years, he’s turned Bourne from an
unthinking killing machine to a soul tortured by his past and the deeds he
committed as a government assassin. You’d think there wouldn’t be much more to
explore given that Bourne looked to have set himself free in the last
outing. But not so fast.
His former colleague, Nicky Parsons (Julia Stiles’ welcome
return to the franchise) discovers something new related to Bourne’s commitment
to Operation Treadstone, the black ops program that he was part of as a member
of the CIA.
Nicky discovers that Bourne’s father played a role in some
way with the program and may have been killed for that reason. That sets him on a path to collide with the
CIA and its shady director Robert Dewey (Tommy Lee Jones) and his assistant
Oscar-winner Alicia Vikander).
Tommy Lee’s addition to the festivities is most welcome as he
brings Dewey to oily life, never quite revealing the director’s motives until the
last possible moment. It’s one of those
subtle Jones turns that brings a slow smile to audience members’ faces.
Vikander’s Heather Lee comes across as steely, almost icy in
some respects with confidence that borders on cockiness.
Greengrass’ script concocts a paranoid world in which Bourne
doesn’t know who can be trusted.
Therefore he relies on the only person he can – himself. In that regard,
Damon gives a minimalist performance.
Damon conveys any emotion beyond determination using his eyes.
Damon delivers his share of tense moments, but Greengrass
does as well in that his non-fighting action sequences are untraditional by
today’s standards. Most action flicks
feature car chases and Jason Bourne has a couple, but some of the white knuckle
moments come courtesy of chases done on foot as Greengrass’ herky-jerky camera
movement follows ever sudden move.
Add all of this and JASON BOURNE proves to be a worthy entry
into the Bourne saga.
Movie: JASON BOURNE
Director: Paul Greengrass
Cast: Matt Damon, Julia Stiles, Alicia Vikander,
Tommy Lee Jones, Vincent Cassel
Studio: Universal
Rated: PG-13 for intense sequences of violence and
action, and brief strong language
Running time: 123 minutes
George’s rating:
3-of-4 stars
Check for theaters and showtimes at Atlas Cinemas, ClevelandCinemas, Fandango.com and MovieTickets.com
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