Review by Bob Ignizio
After all the mass mayhem, destruction, and death of the
previous Marvel Cinmeatic Univers movies, most notably the two AVENGERS films, some people in that
fictional world are justifiably concerned about super powered individuals
taking the law into their own hands. The last straw is an incident in which The
Avengers fight a bad guy who sets off an explosion to kill Captain American
(Chris Evans). Scarlet Witch (Elizabeth Olsen) uses her powers to move the
blast away from Cap, but several innocent bystanders are still killed.
The United Nations wants oversight of these costumed
crusaders. Tony Stark aka Iron Man (Robert Downey Jr.), riddled with guilt
after being confronted by the mother of another casualty of a super powered
throw-down, thinks this is a good idea. Steve Rogers aka Captain America (Chris
Evans), while recognizing the responsibility the heroes bear for this
collateral damage, doesn’t.
There’s no time for these two heroes to sit down and discuss
their differences like adults, though. It looks as though Cap’s old WW2 friend
Bucky Barnes (Sebastian Stan), turned into a super powered, mind controlled
assassin during the cold war and given the name Winter Soldier, is back to his
old murderous ways. Evidently he set a bomb that goes off during a meeting on
the superhero oversight committee, and among the dead is the King of Wakanda,
whose son T’Challa (Chadwick Boseman) vows to seek vengeance in his own
costumed guise as the Black Panther.
Cap wants a chance to talk to Bucky first, but U.S. Secretary
of State Thaddeus Ross (William Hurt) thinks the Soldier is too dangerous and
needs to be taken out permanently. Tony/Iron Man wants Cap to stand down, but
obviously that isn’t going to happen. The rest of the Avengers (minus Thor and
Hulk, whose whereabouts are unknown) choose sides, and not surprisingly more of
the exact kind of mayhem that everyone was so concerned about ensues.
On the surface level, it sounds pretty dumb and incredibly
cluttered. Thanks to screenwriters Christopher Markus and Stephen McFeely the
direction of Cleveland boys made good Joe and Anthony Russo, the end product is
actually quite smart, coherent, and entertaining. There is substance and an
appropriate gravitas to the material, as there was in the previous collaboration
by this team, CAPTAIN AMERICAN: THE
WINTER SOLDIER, but there’s also a great deal of humor, adventure, and all-around
fun to be had.
When your main character is a walking symbol of America and
you bring up issues of how he and his team, regardless of their good
intentions, often leave death and destruction in their wake, it’s not hard to
draw real world parallels. The film doesn’t make things too on the nose or too
black and white, though. Both Cap and Iron Man have valid points, and it would
be hard to pin either one of them down to one specific, real-world political
ideology or another. That could easily feel like a cop out thematically, but this
film is more about getting the audience thinking about these issues than
telling them exactly what to think. This
is Cap’s movie, though, and it shouldn’t be too surprising that it ultimately
tilts its support in his direction.
Are there problems with the movie? Sure. The big superhero
slugfest arguably goes on longer than necessary, even if it is fun. And
speaking of fun but unnecessary, the debut of the new Spider-Man (Tom Holland)
very much fits into that category. It’s obvious he was kind of shoehorned in
once Marvel got the rights to use their own character back from Sony, rather
than being an integral part of the story as he was in the original comic book
source material. There are other logical issues, and no doubt one of those
obnoxious and unfunny “Everything Wrong With” youtube clips will be posted soon
(if it isn’t already) to list them all, but suck nitpicking misses the point
(see Hitchcock, Alfred – “icebox scene”).
With all the hero vs. hero action, the villains here are
almost an afterthought, which might seem a negative to some viewers. In
particular, comics fans will certainly be familiar with the name Zemo, but the
character played by Daniel Brühl bears little resemblance to his comic book
namesake. Regardless, he’s exactly the villain this particular story needed,
and even if he doesn’t engage with the heroes directly very much, he proves far
more dangerous to them than any giant robot or power-mad Norse god has in past
films.
The other super characters, with the aforementioned
exception of Spidey, never feel like they’re in the movie just for the sake of
cramming everybody in. Winter Soldier, T’Challa, Falcon (Anthony Mackie), and
Black Widow (Scarlett Johansson) are clearly the major supporting players, with
everyone else (including the as yet unmentioned Jeremy Renner as Hawkeye, Don
Cheadle as War Machine, Paul Bettany as The Vision, and Paul Rudd as Ant Man) getting
just the right amount of screen time to serve their purpose and give the
audience the expected payoff of a superhero battle royale.
And yes, of course seeds are planted for future films. But
unlike AGE OF ULTRON, most of them
feel organic to the story being told. No clunky “Thor in a weird cave having a
dream sequence” scene here. Martin Freeman’s character didn’t seem particularly
necessary, but he didn’t waste enough screen time to harm the film, either. And
hey, it’s Martin Freeman. Who doesn’t like seeing Martin Freeman?
There’s also the issue of integrating characters, plot
points, and concepts from previous movies into this one in such a way that audience
members who might have forgotten about them (or never known in the first place)
can understand the current story, all without bogging things down with too much
exposition. I think the film makes the right choice by not rehashing too much,
but I can’t help but wonder if someone fresh to the world of Marvel superheroes
on film might feel a bit lost.
Overall, though, I was very much impressed with CIVIL WAR. After the disappointing AVENGERS: AGE OF ULTRON I was worried
this would repeat the mistakes of that film, trying to juggle too many
characters and set up too many future projects in a clunky way. Thankfully, the
film never loses its focus on Cap and Iron Man, and their ideological
differences. And despite the somewhat serious themes it deals with, CIVIL WAR never feels too dark or grim,
preferring to entertain first, while still giving its audience some food for
thought. 3 ½ out of 4 stars.
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