[PRESERVATION
is now playing in Cleveland exclusively at Shaker Square Cinemas.]
Review by Bob Ignizio
It's usually nice
when a thriller or horror film takes some time to actually let us get
to know its characters before it starts killing them off. After
thirty minutes spent getting to know brothers Sean and Mike Neary,
however, I was primed and ready to root for whatever menace the film
had in store for them.
Sean (Pablo
Schreiber) is a recently discharged soldier who shows little empathy
for man or beast. Ditto for his businessman brother Mike (Aaron
Staton). Inexplicably, Mike is married to vegan med student Wit
(Wrenn Schmidt) who, despite her aversion to eating meat, comes with
the brothers as they embark on a hunting trip at a closed nature
preserve. As it turns out, Wit is pregnant, and while a weekend of
male bonding probably isn't the best time to break the news to Mike,
the two see each other so rarely anymore it may be her only chance.
Sean also brings along his loyal dog Nix.
After a relatively
uneventful first day hiking into the woods and setting up camp, our
protagonists hit the sack. When they awake in the morning, their
tents and equipment are gone, Nix is nowhere to be found, and
everyone has “X”s written on their foreheads. Mike is certain
that his brother has snapped due to PTSD, but it isn't long before he
and the audience find out that a band of masked psychos have decided
to make the hunters the hunted. I don't want to get into spoiler
territory so I won't reveal who the killers turn out to be, or what
the film seems to suggest as their motivation. All I'll say is that
it's as ridiculous as everything else here.
A low
budget mash-up of DELIVERANCE
and THE STRANGERS,
PRESERVATION offers
absolutely nothing original or noteworthy. It's the second film
directed by busy character actor Christopher Denham, and while he
clearly has the technical basics down and works well enough with his
actors, he fails to build the necessary suspense to keep us invested.
It doesn't help that his style is utterly bland. Even on a lowest
common denominator level, the film doesn't deliver the cheap thrills
of sex and violence that low budget genre fare can usually be counted
on for. It wants to be classier than that, but it's too derivative
and cheesy to work on that level.
The
cast may not be household names, but everyone here is a good actor.
Its nice to see Staton (Ken Cosgvoe on Mad Men)
and Schreiber (“Pornstache” on Orange is the
New Black)
take on more substantive roles. The star of the film, though, turns
out to be Schmidt (recurring roles on Boardwalk
Empire
and The Americans
among many other TV and film credits). If the film works at all, it
is due to their efforts to sell the wooden dialogue and frequently
unbelievable situations to the audience. If they're aware of how bad
this script is, and I have to imagine they are, they never let on. 2
out of 4 stars.
This film was a rip-off of the Spanish film, "El Rey De La Montana", with the ending changed.
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