[A HARD DAY'S NIGHT
screens Friday July 11th at 7:25 pm and Saturday July 12th at 8:40 pm
at the Cleveland Cinematheque.]
Review by Bob Ignizio
I certainly understand the importance
of the Beatles to the evolution of rock & roll music, and I can
recognize and appreciate the band's singing, playing, and songwriting
talents. The honest truth is, though, I can't remember the last time
I intentionally listened to a Beatles song, let alone an entire
album. When it comes to sixties British Invasion rock bands, I tend
to prefer the harder edged sounds of The Kinks, The Stones, The
Who... even The Animals. But when it comes to rock & roll movies,
none of them ever made a movie as innovative or enjoyable as A
HARD DAYS NIGHT.
Director Richard Lester caught the
attention of the Beatles with a comedy short he had done for Peter
Sellers and Spike Milligan, and A HARD DAYS NIGHT is
essentially a zany comedy in that vein interspersed with lip synched
musical numbers. The plot is minimal – the band (John Lennon, Paul
McCartney, George Harrison, Ringo Starr) is at the height of British
Beatlemania, trying to dodge crazed fans long enough to play their
gigs, including a big TV show appearance. Throwing a monkey wrench
into things is Paul McCartney's grandfather (Wilfrid Brambell). He
gets in trouble himself gambling and womanizing, as well as stirring
up tension in the band.
NIGHT is a great looking film,
and its crisp black and white cinematography looks almost freshly
minted in this restoration. Some of the jokes are either too dated or
too British to register with modern American audiences, but the gags
come fast and furious enough that it doesn't really matter. You may
be scratching your head for a moment, but you'll be laughing soon
enough. As for the performances, it is a shame we don't get any
actual live music. While the music may be lip-synched, the shots of
the audience are from real live shows, making this a valuable time
capsule of just home much mania there really was in Beatlemania.
Lester was given an award by MTV for
being the “Father of the Music Video”, and it's hard to argue
with that. He basically invents the language that would be used by
countless others here. Some of the freshness may have diminished
through decades of imitation, but few music videos or rock movies
display the same level of quality filmmaking seen here. 4 out of 4
stars.
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