[LET THE FIRE BURN
screens Friday January 17th at 7:30 pm and Saturday January 18th at
9:30 pm at the Cleveland Cinematheque.]
Review
by Bob Ignizio
After years of complaints and minor
confrontations, on May 13 1985, the city of Philadelphia decided to
evict the radical political/religious organization MOVE from their
compound at 6221 Osage Avenue. At first neighborhood residents were
relieved; they had been complaining about the group for some time.
Sadly, that relief soon turned to anger and horror as things went
tragically wrong. When the raid was over, 11 members of MOVE
(including 5 children) were dead, and an entire neighborhood had been
burned to the ground. To paraphrase a famous quote from the Viet Nam
War, it was as if those in charge had deemed it necessary to destroy
the neighborhood to save it.
The documentary LET THE FIRE BURN
sets out to understand how and why this tragedy took place. Usually
films like this rely on modern day interviews with survivors which,
while compelling, can't do much for the fact that memory can fade or
become distorted with time. In this case, however, director Jason
Osder had access to an amazing treasure trove of footage of the times
and events in questions, as well as an entire filmed inquest into the
raid in which all the surviving participants offer their still fresh
points of view. There is no need for narration or reenactments; it's
all there in the archival footage.
You
might expect a film like this to try and make MOVE come off as
saints. Thankfully it doesn't. Osder shows the members of MOVE as
they were, and very often that makes them difficult to like. Although
they not surprisingly reject the pejorative description of religious
cult, they certainly come off like one. Charismatic leader with his
own divinely revealed rules for living? Check. Members living
together in a commune with naked children running around? Check.
Strange ideas about diet and santiation? Check. Loudspeakers
broadcasting profanity laced tirades throughout the neighborhood?
Check. If MOVE had lived on your block, you probably wouldn't have
wanted them there, either. The question is, why did removing them
come at such a cost?
Despite all the materials collected
here, there's only so much LET THE FIRE BURN
can answer. In the end, a lot rides on the veracity of the testimony
given my the various participants, particularly when there are
differing accounts. The inquest and the film still manage to reach
their conclusions, which are hardly surprising and hard to disagree
with. And of course there's a further sad CODA to it all with regards
to the way the city rebuilt the neighborhood. But I'll leave it to
you to see the film to learn that disheartening fact. And see the
film you should, as this is the kind of important history that tends
to get forgotten. And to paraphrase yet another overused quote, when
history is forgotten, it's far too easy to repeat it. 4 out of 4
stars.
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