Review
by Bob Ignizio
The
plot of THE
CONJURING is
a familiar one: Roger and Carolyn Perron (Ron Livingston and Lili
Taylor) buy what they believe to be their dream home and along with
their five daughters (Mackenzie Foy, Joey King, Hayley McFarland,
Shanley Caswell, and Kyla Deaver) move in. Almost immediately strange
things start to happen. At first it's nothing major, but over time
the intensity and maliciousness of the occurrences grow until the
family is scared enough to call in paranormal investigators Ed and
Lorraine Warren (Patrick Wilson and Vera Farmiga). After being
convinced of the legitimacy of the Perron's claims, the Warrens then
set about trying to get the evil spirits to leave, but that proves
easier said than done.
So
yeah, it's pretty much the same basic ground trod by POLTERGEIST,
THE AMITYVILLE
HORROR,
A HAUNTING IN
CONNECTICUIT,
and many others. THE
CONJURING
may not earn a whole lot of points for originality, but it does
deliver where it counts, in the scares department. The whole “based
on a true story” shtick is even more dubious here than usual, the
alleged events providing the basis for the film hardly qualifying as
verifiable fact to begin with, and having been further altered and
juiced up for the big screen. Ah, but who cares? My inner skeptic may
grumble a bit, but my inner horror fan was having too good a time to
listen to his complaints.
If
nothing else, the film's ties to reality (however tenuous) may be the
reason it avoids the sort of ridiculousness director James Wan's
previous spookfest INSIDUOUS
descended into during its third act. In fact by modern movie
standards THE
CONJURING
is almost reserved. It builds slowly, letting the tension and
suspense mount, and even during the climax doesn't overdo it with the
special effects and arbitrarily busy action. I wouldn't say any of
the cast gives a “great” performance, but they all at least get
to create actual characters.
On
the downside, the decision to focus equally on the Warren's and the
Perrons from the very beginning, cutting back and forth between the
two families even before they've met, undercuts some of the mounting
dread that would have been created by just sticking with the haunted
house story until the Perron's go seeking help. From that point
onward, however, the movie flows pretty well. On a more minor scale,
but nonetheless still a gripe, the use of The Zombies' “Time of the
Season” in a “moving in” montage and Dead Man's Bones “In the
Room Where You Sleep” during a “setting up the equipment”
montage feels somewhat jarring in a film that otherwise doesn't make
use of pop music. Both good songs, mind you, they just don't really
feel like they belong. For the most part, though, THE
CONJURING
is just good spooky fun. 3 out of 4 stars.
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