[ABBOT AND COSTELLO
MEET FRANKENSTEIN screens
Sunday October 27th at 10:00 am at the Capitol Theatre.]
Review by Bob Ignizio
A pair of baggage clerks at a
Florida train station – brash Chick Young (Bud Abbot) and his
bumbling partner Wilbur Grey (Lou Costello) – get more than they
bargained for when they receive a pair of crates intended for the
local “House of Horrors” museum that contains the actual bodies
of Dracula (Bela Lugosi) and the Frankenstein Monster (Glenn Strange)
in ABBOT AND COSTELLO MEET FRANKENSTEIN.
Larry Talbot (Lon Chaney) knows
what's in the boxes, but he's in London and can't get to America in
time to stop the shipments himself. He tries to warn our hapless
heroes with a phone call which Wilbur answers, but a full moon soon
makes conversation impossible as Talbot once again transforms into
the Wolfman. Wilbur attributes the growls and snarls on the other end
of the line to the caller's dog and hangs up, and he and Chick set
off to deliver their monstrous cargo to Mr. McDougal (Frank
Ferguson), owner of the macabre museum. This they do, but the
contents of the crates have other ideas than to wait around to be put
on exhibit. Wilbur sees the monsters, but of course no one believes
him.
Aside from monster trouble,
Wilbur also has woman trouble as he tries to juggle two lovely
girlfriends, much to the chagrin of Chick. As it turns out, though,
neither woman is really interested in Wilbur for love: Sandra (LĂ©nore
Aubert) is actually a mad scientist working with Dracula to put
Wilbur's brain into the Frankenstein monster, while Joan (Jane
Randolph) is an insurance investigator looking into the disappearance
of McDougal's crates under the assumption that Wilbur and Chick have
stolen them. Talbot arrives in Florida, too, and with the help of
Professor Stevens (Charles Bradstreet), a scientist of the non-mad
variety, everyone eventually comes together in a spooky old castle
for the obligatory monster-rally finish.
The plot is essentially recycled
from the previous two Universal multi-monster mash-ups, HOUSE
OF DRACULA and HOUSE
OF FRANKENSTEIN. Not
surprisingly, it shares the same weaknesses of those two films, in
particular a ridiculous plot in which the monsters tend to take a
back seat to the human players. It also shares the key strength of
those films, Lon Chaney as the tragic hero, and adds two big
strengths of its own. The first is the comedic star power of Abbot
and Costello. The comedy duo were at the top of their form here, and
they deliver plenty of laughs without ever making the monsters the
butt of the jokes. The second strength, and it's a major one, is
Lugosi returning to play Dracula for the first time since he
originally brought the character to life on screen in 1931's DRACULA.
He simply owns this role, and while he carries himself with power and
majesty, he shows considerable comic timing as well. As in the
preceding two films, no one seems to really know what to do with the
Frankenstein monster other than to have him lumber around and smash
the lab for a couple of minutes near the end.
Despite the various issues with
the film, ABBOT AND COSTELLO MEET FRANKENSTEIN
felt surprisingly fresh as I watched it again for this review. The
fast-paced banter of Abbot and Costello and their supporting cast
ensures that the film moves briskly enough for modern audiences, and
most of the jokes still worked for me, too. I wish a little more
effort had been put into crafting the plot those jokes get hung on,
but what there is is certainly serviceable. And given the mild nature
of the scares, this still remains one of the best films to introduce
your own little monsters to the wonderful world of horror films with.
3 out of 4 stars.
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