Review by Pamela Zoslov
“Love/hate relationship with Wes” and “Can't stand quirky
for quirky's sake” are the titles of two contentious comment
threads on the movie website imdb.com. Participants in these
conversations vociferously debate the merits of director-writer Wes
Anderson, who is known for his quirky, stylized films, the eighth of
which is THE GRAND BUDAPEST HOTEL.
Set in an aging, once-elegant hotel in the mythical Republic of
Zubrowka, it is perhaps the apotheosis of Anderson's stagebound,
confectionary style. And, like the Courtisane au Chocolate, the fancy
pastry that figures in the movie's Byzantine plot, it may be too
cloying for some.
