[EYES WIDE SHUT screens Saturday July 18th at 8:55 p.m. at the Cleveland Cinematheque.]
Review by Charles Cassady, Jr.
Nobody should be blamed for having trouble keeping their eyesopen during EYES WIDE SHUT. Stanley Kubrick's scandalous final feature film was released in 1999 after a much-publicized, drawn-out, two-year production history (nothing unusual for Kubrick) and hitting screens not long after Stanley Kubrick's own death. The heavily hyped melodrama is 169 minutes long, and you feel every second. Sometimes that is a good thing. And sometimes...
Kubrick had a reputation for jumping with graceful unpredictability from one genre to another, from horror in THE SHINING to costume drama in BARRY LYNDON to sword-and-sandal in SPARTACUS, and back again. Here he takes on the much-travestied sexual psychodrama-cum-thriller, the territory of countless direct-to-video softcore films (not to mention Times Square "grindhouse" stuff and Euro-thrillers, before BASIC INSTINCT kind of made the genre respectable).
And so what you've got to ask yourself is: even if Kubrick does make the world's most baroque, certainly longest T&A film...so what?

