Review by Pamela Zoslov
“Alive with all the impassioned suspense, dramatic fervor and excitement of the best seller by Daphne du Maurier, author of Rebecca, My Cousin Rachel comes to the screen with the only star in the world who could play it, Olivia de Havilland!” So intones the trailer for the 1952 movie, also starring Richard Burton in his Hollywood debut. “Was she woman or witch? Madonna or murderess?”
Though that movie received some good reviews and an Oscar nomination for Burton, du Maurier was unhappy with the adaptation of her 1951 novel. She particularly disliked de Havilland's looks and hairstyle, which she thought resembled the dowdy Duchess of Windsor, Wallis Simpson. Du Maurier might have found the darkly pretty Rachel Weisz, who plays Rachel in Roger Michell's new film adaptation, closer to the mark. (By the way, did you know Olivia de Havilland is still alive, and 100 years old?)
Showing posts with label Roger Michell. Show all posts
Showing posts with label Roger Michell. Show all posts
Monday, June 12, 2017
Wednesday, January 2, 2013
Hyde Park on Hudson
By Pamela Zoslov
After Steven Spielberg’s worshipful
LINCOLN, it should be refreshing to see a presidential biopic
that doesn’t overlook its subject’s flaws. HYDE PARK ON HUDSON
takes an unflinching view of President Franklin Delano Roosevelt,
showing his withered legs, his need to be carried bodily by strong
attendants, and the frustration beneath his familiar bonhomie over
his handicap. It also highlights his marital infidelity. Who’d have
thought a film about presidential philandering would focus on the
discreet affairs of the crippled FDR rather than the brazen,
compulsive womanizing of John F. Kennedy?
As refreshing as this honesty is, it’s
uncomfortable watching the 32nd president, impersonated here by Bill
Murray, jiggling in his shiny convertible as he receives a hand job
from his fifth cousin, Daisy (Laura Linney). That scene is bookended
by a later one in which Daisy, at the behest of her presidential
lover, smears mustard on a hot dog held by England's King George VI
(Samuel West), a presumably unintended hint of eroticism that
underscores her role as FDR's concubine.
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