Review by Pamela Zoslov
Fate is often cruel to those who tell the truth. There are few better illustrations of this than the short life of Phil Ochs, the folk singer — he preferred “topical singer” — whose incisive songs, sung in his plangent tenor, are indelible anthems to the tumultuous ‘60s and early ’70s: the JFK assassination (“Crucifixion”), the Civil Rights movement (“The Ballad of Medgar Evars,” “Here’s to the State of Mississippi”) Vietnam (“I Ain’t Marching Anymore” “Draft Dodger Rag”), the lies of Lyndon Johnson (“We Seek No Wider War”), the hypocrisy of liberals (“Love Me, I’m a Liberal”). Disillusioned by the failure of his ideals to change the world, drinking heavily and suffering from bipolar disorder, Ochs hanged himself at his sister’s home in Far Rockaway, New York, on April 9, 1976. He was 35.
