Review by Pamela Zoslov
Bill Pohland's LOVE & MERCY, based on the
life of Brian Wilson, transcends the conventions of the rock-music
biopic in the same way the Beach Boys' sweet, yearning harmonies
transcended the blandness and the brutality of their Southern
California youth. The film is in two-part harmony: Brian the elder, a
traumatized man in his 40s being dominated by self-styled psychologist Eugene
Landy, and Brian the Younger, the chubby, tousled musical genius
working his magic at the keyboard and in the studio, battling his
inner demons and his bandmates. It's an extraordinary piece,
expressing the complexities of Wilson's story and incorporating his
music in unexpected and beautiful ways.
