Review by Pamela Zoslov
Debate rages on over SELMA, Anna DuVernay's thoughtful and
rather beautiful account of the 1965 Freedom March from Selma to
Montgomery. Those defending the legacy of Lyndon Baines Johnson have
decried the film's portrayal of LBJ as a nemesis of Martin Luther
King and an obstacle to the Civil Rights movement, in their eyes a
significant distortion of history.
There is a certain villainy about DuVernay's LBJ, as portrayed by
Tom Wilkinson. With an unwieldy Texas accent, Wilkinson's LBJ berates
King for insisting he press for a voting rights bill now, rather than
defer it in favor of his top legislative priority, the War on Poverty.
The angry, adversarial tone of their Oval Office meetings seems a bit
implausible, and the film's implication that Johnson was complicit in
J. Edgar Hoover's contemptible surveillance and vindictive smear
campaign against King seems a bridge too far – even though LBJ was
a notoriously crude man and is suspected of having done things far
worse than opposing King. Hoover (played in the film by Dylan Baker)
was a dangerous and powerful psychopath, and the film uses as a narrative device data from FBI surveillance of King's movements. Johnson and King did clash,
but it was over the Vietnam War, after the events depicted in the
film.
The film may be a bit unfair to Johnson, but DuVernay says
that was not her intention. “I think this has all been a bit
overblown, especially because this film is not about LBJ,” she told
Terry Gross on NPR's "Fresh Air." “This is a film that's about the
people of Selma and the black leadership of Selma and the allies who
came to the aid of black people who were being terrorized in Selma.
And one of those allies turned out to be, eventually, LBJ," whose speech announcing the Voting Rights Act, in which he quotes "We Shall Overcome," crowns the film triumphantly.
Showing posts with label Oprah Winfrey. Show all posts
Showing posts with label Oprah Winfrey. Show all posts
Monday, January 12, 2015
Thursday, August 15, 2013
Lee Daniels' The Butler
Review by Pamela Zoslov
The opening of LEE DANIELS' THE BUTLER tells us the
movie was “Inspired by True Events.” Not “Based on True
Events,” because director Lee Daniels and screenwriter Danny Strong
have taken considerable liberties with the life of Eugene Allen, the
African-American butler who served at the White House through eight
presidential administrations. Allen, who died in 2010 at age 90,
started working at the White House in 1952 as a “pantry man,”
polishing silverware and washing dishes for $2,400 a year. He retired
in 1986, after serving as maitre d' for the President and Nancy
Reagan, who honored him with an invitation to a state dinner, where
he was, for the first time, served champagne rather than pouring it.
A 2008 profile of Allen in The Washington Post was the
source material for this sprawling film, which stars Forest Whitaker
as the butler, renamed Cecil Gaines.
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