[NYMPHOMANIAC VOLUME 2 screens Saturday July 5th at 9:00 pm and Monday July 7th at 7:30 pm at the Cleveland Cinematheque.]
Review by Milan Paurich
In his review of Lars von Trier’s NYMPHOMANIAC VOLUME 2, New York Times film critic A.O. Scott referred to VOLUME 1
as “the fun part.” Scott was making a joke (at least I think he was),
but that snarky bon mot is probably how a lot of viewers will feel after
watching the less conventionally enjoyable second half of von Trier’s
magnum opus.
There’s as much of a tonal disconnect between VOLUME 1 and VOLUME 2 as there was a stylistic gap separating Quentin Tarantino’s KILL BILL movies. If the first BILL
was a dizzying succession of “Can you top this?” action setpieces, the
concluding chapter released six months later was slower, talkier and (a
half hour) longer. BILL VOLUME 2 was still an enormously
accomplished piece of auteurist filmmaking, yet so far removed from its
antecedent that many Tarantino fans felt cheated.
Showing posts with label Nymphomaniac Volume 2. Show all posts
Showing posts with label Nymphomaniac Volume 2. Show all posts
Wednesday, July 2, 2014
Wednesday, April 23, 2014
Nymphomaniac, Volume 2 (Opens in Cleveland on Friday April 25th exclusively at the Capitol Theatre)
[NYMPHOMANIAC VOLUME 2 opens in Cleveland on Friday, April 25th exclusively at the Capitol Theater.]
Review by Milan Paurich
In his review of Lars von Trier’s NYMPHOMANIAC VOLUME 2, New York Times film critic A.O. Scott referred to VOLUME 1 as “the fun part.” Scott was making a joke (at least I think he was), but that snarky bon mot is probably how a lot of viewers will feel after watching the less conventionally enjoyable second half of von Trier’s magnum opus.
There’s as much of a tonal disconnect between VOLUME 1 and VOLUME 2 as there was a stylistic gap separating Quentin Tarantino’s KILL BILL movies. If the first BILL was a dizzying succession of “Can you top this?” action setpieces, the concluding chapter released six months later was slower, talkier and (a half hour) longer. BILL VOLUME 2 was still an enormously accomplished piece of auteurist filmmaking, yet so far removed from its antecedent that many Tarantino fans felt cheated.
Review by Milan Paurich
In his review of Lars von Trier’s NYMPHOMANIAC VOLUME 2, New York Times film critic A.O. Scott referred to VOLUME 1 as “the fun part.” Scott was making a joke (at least I think he was), but that snarky bon mot is probably how a lot of viewers will feel after watching the less conventionally enjoyable second half of von Trier’s magnum opus.
There’s as much of a tonal disconnect between VOLUME 1 and VOLUME 2 as there was a stylistic gap separating Quentin Tarantino’s KILL BILL movies. If the first BILL was a dizzying succession of “Can you top this?” action setpieces, the concluding chapter released six months later was slower, talkier and (a half hour) longer. BILL VOLUME 2 was still an enormously accomplished piece of auteurist filmmaking, yet so far removed from its antecedent that many Tarantino fans felt cheated.
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