[LE HAVRE screens Saturday May 19th at 8:00 pm at the Cleveland Cinematheque.]
Review by Pamela Zoslov
What
is it about darkness that's so compelling these days? Looking at the
critically acclaimed films of 2011 – some, it must be said,
incomprehensibly acclaimed – it is startling to realize how many were
about the end of the world. The apocalypse was imagined in MELANCHOLIA, ANOTHER EARTH, TREE OF LIFE and TAKE SHELTER,
and nihilistic gloom and sexual violence were prominent in a number of
other highly praised releases. This peering into the abyss is
understandable, given the state of the world – endless war, drone
bombing, the looting of the economy, and vaunted “hope and change”
having turned into “more of the same, only worse.” But is there still
room in the landscape for a small, humanistic film like Aki Kaurismäki's
LE HAVRE, the kind of
story that leaves you feeling uplifted, not defeated? I think so;
despite appearances, the end of the world is not nigh.
