[DIOR AND I opens in Cleveland Friday May 1st exclusively at the Capitol Theatre for a limited one-week engagement.]
Review by Pamela Zoslov
The name Christian Dior is the very definition of French
fashion, and has been since the cataclysmic debut in 1947 of his
“Corolle” (“circle of flowers”) line – wasp-waisted dresses
and suits with voluminous, blossoming skirts, a style that became
known as the “New Look.” It was a revolutionary departure from
the austere, uniform-like fashions of the war years. The New Look was
controversial because of the extravagant use of material, unavailable
in wartime, and because of the elaborate undergirding necessary to
achieve the hourglass look: built-in boned corsets and padded
bustiers. The style was at once radical and reactionary, consigning
women to an atavistic, labor-intensive
femininity. But always, there was Dior's impeccable taste and
unfailing sense of proportion.
