Showing posts with label Frank Langella. Show all posts
Showing posts with label Frank Langella. Show all posts

Wednesday, July 27, 2016

Captain Fantastic


Review by Pamela Zoslov

Matt Ross, the 46-year-old writer and director of CAPTAIN FANTASTIC, is a memorable character actor with a flair for eccentric roles.

On HBO's "Big Love," he played Alby Grant, the murderous, closeted gay son of a Mormon cult patriarch. Ross's childhood gave him a natural affinity for stories about nontraditional sects. He lived with his "hippie mom" in nature communes in California, sleeping in a teepee.

Yet in interviews, Ross insists that CAPTAIN FANTASTIC, which stars Viggo Mortensen as Ben Cash, a father of six raising his brood "off the grid" in the forests of the Pacific Northwest — is not autobiographical. In fact all writing, and all art, is to some extent autobiographical, especially that which rhymes so musically with the artist's life.

Friday, April 11, 2014

Draft Day

Review by Pete Roche


Are you ready for some football?

Are you ready for some Cleveland Browns football…in April? 

High-five!

Yes, thanks to modern movie technology, filmmakers can do just about anything:  They can make Superman fly, resurrect the dinosaurs, transform a mild-mannered scientist into a raging Hulk, and yes…director Ivan Reitman (STRIPES, GHOSTBUSTERS) can turn the perennially-losing Brownies into a champs just in time for Easter dinner.

Friday, August 31, 2012

Robot and Frank (opens August 31st at the Cedar Lee Theatre)

[ROBOT AND FRANK opens in Cleveland on Friday August 31st exclusively at the Cedar Lee Theatre.]

Review by Matt Finley

There’s no way around it: the stark reality of gradual cognitive dissolution does not a buoyant cinematic experience make. Earnest and touching as Sarah Polley’s AWAY FROM HER may have been, it’s not in my Amazon shopping cart. Anyone with an afflicted loved one can attest: Alzheimer’s is a stone-cold drag.

Robots and jewel heists, on the other hand…

In ROBOT AND FRANK, his first feature, director Jake Schreier never denies the harsh realities of Alzheimer’s, but, rather than focus on the  broad devastation of the condition, makes the disease one attribute of a cantankerous ex-second-story man about whom the film tells a small, hilarious and heartbreaking story. It’s the best type of speculative fiction, character-loyal and largely non-didactic, raising sweeping socio-cultural questions with a tight, self-contained dramatic narrative that’s confident enough to deliver an emotionally satisfying ending while leaving the sweeping (and uncertain) socio-cultural answers for each viewer to contemplate.