[LAMBERT & STAMP opens in Cleveland on Friday May 15th exclusively at the Cedar Lee Theatre.]
Review by Pamela Zoslov
Among British rock bands, there was always something different
about the Who. Why, for instance, were so many of their albums
created for, or adapted to, the stage? The group pioneered the
ambitious “rock opera” with Tommy, Quadrophenia and the ill-fated Lifehouse. Broadway, the Metropolitan Opera
House — how did this posh image mesh with the group's scruffy looks
and slashing Mod rebellion (“Hope I die before I get old”)?
The key, at last, is found in a new documentary, LAMBERT & STAMP. Directed by James D. Cooper, the film tells the story of the
group's long-term relationship with the inimitable Christopher “Kit”
Lambert, and his business partner, Chris Stamp, who discovered the
band –— then called The High Numbers and playing mostly blues and
R&B covers — and determined to make stars of them. The name
Kit Lambert is familiar as the band's manager and producer, but most
fans are probably unaware of Lambert's role, alongside Stamp, in
shaping, and in a sense creating, the Who.
