Showing posts with label Anthony Michael Hall. Show all posts
Showing posts with label Anthony Michael Hall. Show all posts

Friday, June 2, 2017

Repost: Weird Science (June 6th at the Aut-O-Rama Drive-In)

[WEIRD SCIENCE screens Tuesday June 6th at 11:45 pm at the Aut-O-Rama Drive-In.]

Review by Charles Cassady, Jr.

Adolescent audiences eagerly flocked to it, critics hated John Hughes' WEIRD SCIENCE when it premiered in 1984 (what was I doing? Lots and lots of college homework, you know, for that career and the good jobs that I was never going to have). The persnickety movie-scribe establishment including Hughes supporters like Roger Ebert, took the movie as an almost personal betrayal by writer-director Hughes, whose 16 CANDLES, PRETTY IN PINK and THE BREAKFAST CLUB seemed to save society from many PORKY'S-inspired lowbrow 1980s youth comedies that were all about teen sex and revenge-pranks.

To them, Hughes was a cinematic messiah and master of mass-audience Teen Comedy-Dramas With Heart and Soul. Until WEIRD SCIENCE, of course, that suddenly dove head-first into exaggerated juvie sex references and revenge-pranks, taking full advantage of the newly created PG-13 rating.

Here is what the critics forgot (but which I probably could have told them, if I weren't busy doing lots of college studies and homework, you know, for that career and the good jobs I was never going to get. Have I neglected to mention that yet?):

Friday, April 18, 2014

Weird Science (screens April 19 at midnight at the Capitol Theatre)

[WEIRD SCIENCE screens Saturday April 19th at midnight at the Capitol Theatre.]

Review by Charles Cassady, Jr.

Adolescent audiences eagerly flocked to it, critics hated John Hughes' WEIRD SCIENCE when it premiered in 1984 (what was I doing? Lots and lots of college homework, you know, for that career and the good jobs that I was never going to have). The persnickety movie-scribe establishment including Hughes supporters like Roger Ebert, took the movie as an almost personal betrayal by writer-director Hughes, whose 16 CANDLES, PRETTY IN PINK and THE BREAKFAST CLUB seemed to save society from many PORKY'S-inspired lowbrow 1980s youth comedies that were all about teen sex and revenge-pranks.

To them, Hughes was a cinematic messiah and master of mass-audience Teen Comedy-Dramas With Heart and Soul. Until WEIRD SCIENCE, of course, that suddenly dove head-first into exaggerated juvie sex references and revenge-pranks, taking full advantage of the newly created PG-13 rating.

Here is what the critics forgot (but which I probably could have told them, if I weren't busy doing lots of college studies and homework, you know, for that career and the good jobs I was never going to get. Have I neglected to mention that yet?):