[JEREMIAH TOWER: THE
LAST MAGNIFICENT opens in Cleveland on Friday June 2nd exclusively at the
Cedar Lee Theatre.]
Review by Bob Ignizio
JEREMIAH TOWER: THE
LAST MAGNIFICENT begins by recounting the "poor little rich boy"
childhood of future chef/restauranteur Jeremiah Tower. His parents seem to have
had little interest in their progeny, leaving him more or less to his own
devices whether on luxury cruises or back at home throwing fancy dinner
parties. It was during this stage of his development that young Jeremiah began
to first take an interest in all aspects of the dining experience; not just the
food itself, but the menus, the decor, the whole 9 yards.
From there the film moves on to Jeremiah's college years,
his first real job as a chef working at Chez Panisse in California, his rise
and fall running the hugely influential restaurant Stars, and his recent
attempt at a comeback in New York. There are hints of sex and drugs and people
"out to get" Jeremiah throughout, but either the stories weren't that
exciting or, more likely, Tower is too private a person to delve too deeply
into that territory.
So the film is left to present us with a road for its
subject in which even the bigger bumps tend to be glossed over. Even Tower's feud with Chez Panisse owner Alice Walters comes
across as relatively dull, when it's one of the most crucial moments in his
career. Tower recounts most of this himself, with old friends, co-workers, and
other celebrity chefs (including Anthony Bordain and Mario Batali) chiming in,
as well.
If you're a hardcore foodie with an interest in the
evolution of American cuisine and the rise of the "superstar chef",
there may be enough here to hold your interest. It's hard to imagine more
casual viewers finding much here that's compelling enough to warrant their
investment of time, though. 2 ½ out of 4 stars.
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