[PSYCHO RAMAN
screens Wednesday April 5th at 4:35 pm and Friday April 7th at 9:20 pm at Tower
City Cinemas as part of the 41st Cleveland International Film Festival.]
Review by Bob Ignizio
The Indian film industry is best known for their vibrant
"Bollywood" musicals. Indian writer/director Anurag Kashyap makes
very different kinds of films. His 2012 film GANGS OF WASSEYPUR was an epic (5 hours-plus) tale of
generation-spanning crime that drew from Scorsese and Coppolla for inspiration. It won numerous awards and made it onto many "best of the
year" lists.
PSYCHO RAMAN
(original title: RAMAN RAGHAV 2.0)
is a crime film of a different sort. It's a wallow on the dark side that
focuses on serial killer Ramanna (Nawazuddin Siddiqui) and the coke-addicted,
misogynistic cop Raghavan (Vicky Kaushal) pursuing him. The solitary Ramanna
sees his soulmate in the corrupt policeman, a man cloaked in the respectability
of the law who, deep down inside, may be just as evil as his quarry. Maybe even
moreso. Comparisons to Abel Ferrara's BAD
LIEUTENANT and Jee-woon Kim's I SAW
THE DEVIL are not unreasonable, but ultimately RAMAN is its own brutal beast.
The film is visually stunning and full of energy, propelled
by a throbbing electronic dance music sountrack. It's also full of violence and
disturbing imagery that are likely to be off-putting to some. If Quentin
Tarrantino's films give you pause, you definitely want to steer clear of this
one.
Even if you're made of sterner stuff, the film walks a
delicate line between grounded and gritty and over-the-top insanity that can
make it tough to swallow at times. What keeps it from flying completely off the
rails is the casually horrific performance by Siddiqui.
In theory, Ramanna and Raghavan should be equals in the
film, two sides of the same coin. But it's feels as if Kashyap was far more
interested in Ramanna. Raghavan never comes across as the sort of anti-hero who
can hold his own on screen, partly due to how the character is written, and
partly because Kaushal isn't the same caliber of actor as Siddiqui.
It also doesn't help matters that Kashyap and his co-writer
Vasan Bala don't seem to understand much about the world of drugs and
addiction. I'd hazard a guess that everything they know about cocaine they
learned from other movies. Raghavan's non-stop coke snorting and erratic
behavior threatens to make Al Pacino's portrayal of Tony Montana in SCARFACE seem low key by comparison at
times.
I wouldn't go so far as to describe the relationship between
Ramannan and Raghavan as homoerotic (or homophobic, given that these are both
such awful characters). It's more along the lines of the Hannibal Lecter/Will
Graham relationship as depicted on the Hannibal
TV series. Only in the case of Hannibal,
both characters had both good and bad qualities. Here, both characters are just
bad.
Given that the two main characters are both reprehensible in
their own way. So it's falls to Sobhita Dhulipala as Raghavan's girlfriend,
Simmy, to give the audience someone they can care about. She's good, but ultimately
her character is too inconsequential to fully invest in. We also never get any
sense of why this character, who the movie at times tries to present as a
strong, independent woman, would be with Raghavan despite his complete lack of
redeeming qualities.
Despite its flaws, PSYCHO
RAMAN remains a stylish and engrossing film imbued with a dark philosophy
that deep down, everyone is a killer. Some just do a better job of keeping
their impulses restrained, or channeling them into more socially acceptable
outlets like war or being a police officer. Not exactly uplifting stuff, but
it's not trying to be. Definitely not a movie for everyone, but for those who
like to take a cinematic walk on the dark side now and again, it's worth
checking out. 2 ½ out of 4 stars.
** Thanks to film critic and facebook friend Murtaza Ali Khan for providing me with some context as to how this film fits into the overall Indian film scene. You can read his own review of PSYCHO RAMAN on the Huffington Post here.
** Thanks to film critic and facebook friend Murtaza Ali Khan for providing me with some context as to how this film fits into the overall Indian film scene. You can read his own review of PSYCHO RAMAN on the Huffington Post here.
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