[THE RED TURTLE
opens in Cleveland on Friday February 24th exclusively at the Cedar Lee Theatre.]
Review by Bob Ignizio
THE RED TURTLE is
a quiet, subtle, easy-going film. It is yet another variation on that tried and
true notion of a man who washes up on the proverbial dessert island. There is
food and water and places to take shelter, but the man nonetheless wastes no
time trying to get back to civilization. Using the resources available to him,
he makes a raft and sets out to sea, only to have his makeshift boat smashed to
pieces. The culprit is the aquatic terrapin of the film's title, and each and
every time the man builds another raft, the turtle breaks it apart before it
gets more than a few yards from shore.
One day, however, the turtle makes the mistake of coming on
land. The man hits it with a large bamboo stalk and leaves it turned over on
its back. The turtle apparently dies, and then apparently transforms into a
woman. This female companionship gives the man a reason to stay on the island,
and we watch their relationship as time passes, and the two eventually become
three with the addition of a son.
If one were to say that THE
RED TURTLE is a sublimely beautiful work of art, it would be hard to argue
otherwise. If one were to say that it is far too long, and frankly kind of
boring, it would also be hard to argue otherwise. I can see both points of
view, but I must confess to leaning more towards the less favorable assessment.
Look, I'm as burned out as anyone on the seemingly endless
stream of "family" animated features being cranked out by the major
studio assembly lines. I love animation as an art form, and am very much open
to its use for something other than kiddie fare. So I really wanted to like
this movie.
Had this been a longer short film, say about 30 minutes or
so, it might well have been right in my personal "Goldilocks" zone.
Long enough that it wouldn't have felt rushed, but not so long that the
minimalistic concept starts to feel stretched.
But that's not the route that writer/director Michaël Dudok
de Wit chose to take. And even though he's on the short side of feature film
length at an hour and fifteen minutes, by about the halfway point THE RED TURTLE was starting to overstay
its welcome with me. Other, more patient viewers may certainly disagree, and
even despite my eventual exhaustion with the film's languid pacing I still
found aspects to appreciate, in particular the (mostly) hand-drawn animation
and atmosphere of fantasy, but there just isn't enough here to sustain a
feature film. 2 ½ out of 4 stars.

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