[TRAIN TO BUSAN opens in Cleveland on Friday November 11th at the Capitol Theatre.]
Review by Bob Ignizio
On its surface, director Yeon Sang-ho's TRAIN TO BUSAN
sounds like the worst kind of high concept trash.
It's zombies on a train! Thankfully, beneath that surface one finds both
a heart and a brain. And they aren't there just to be eaten, either.
With its fast moving, not always undead infected, TRAIN TO BUSAN is clearly using Danny
Boyle's 28 DAYS LATER as its
template. But just as Boyle's take
was still very much inspired by the classic zombie films of George Romero (the
original versions of NIGHT OF THE LIVING
DEAD, DAWN OF THE DEAD, and DAY OF THE DEAD) to use its premise as
an opportunity for social commentary, so, too, does TRAIN TO BUSAN. And since the society being commented on in this case
is South Korea's, what it has to say comes from a slightly different point of
view than we're used to, while still being very much relatable.
Beyond the one sentence description mentioned in the first
paragraph of this review, the plot of TRAIN
TO BUSAN centers on divorced dad Seok-Woo (Gong Yoo), a hedge fund manager
who has custody of his daughter Su-an (Kim Su-an), but barely pays attention to
her. All Su-an wants for her birthday is to go and visit her mother, and after
completely screwing up with the gift he buys her instead, dad gives in and
agrees to take her there by train.
Unfortunately, a mysterious plague that turns ordinary
people into crazed murderers has broken out. Our protagonists only learn this
after they have boarded the train. And of course, you just know at least a few
of the passengers are going to be infected.
Amidst the action and scares, Yeon uses his film to comment
on the self-centeredness and mistrust of his fellow South Koreans. As in
Romero's zombie films, it's not the living dead that are the biggest threat to
humanity's survival; it's our own human nature.
Though not without horrific moments, overall TRAIN TO BUSAN is more action/suspense than
horror. As Seok-Woo, Su-an, and a few other survivors try to make their way
from one end of the speeding train to the other, presumably safer end, the way
the film is shot recalls scenes from OLD
BOY and THE RAID: REDEMPTION more
than any gut munching zombie epic. The film is also surprisingly emotional, not
just in how it resolves its main storyline, but in the B stories of several
supporting characters as well. Maybe bring some tissues along with your barf bag.
In all honesty, though, there isn't much of the requisite gut
munching of the zombie genre to be found, so you may not need that barf bag
after all. Oh sure, people get attacked and bitten by the infected and turn
into crazed killers themselves, but the cannibalism aspect isn't played up like
zombie fans are used to. I'm not saying sensitive viewers won't find a few
moments disturbing, but if you're a die-hard horror fan expecting a gore fest,
you won't find it here.
And that's okay. There are plenty of gross-out zombie romps
to enjoy or avoid, depending on your tastes. This is something a little
different, and given the steady stream of derivative zombie movies that have
been pouring forth since 28 DAYS LATER
and RESIDENT EVIL opened the
floodgates of the undead revival in 2002, something different is very much
welcome. Keeping this from earning a better rating is the fact that it does
drag and become a bit repetitive in the middle. A stronger music score would
also have helped pump things up a bit. These are by no means fatal flaws, but worth
noting nonetheless. 3 out of 4 stars.
No comments:
Post a Comment
We approve all legitimate comments. However, comments that include links to irrelevant commercial websites and/or websites dealing with illegal or inappropriate content will be marked as spam.
Note: Only a member of this blog may post a comment.