[YARN screens Saturday July 23rd at 5:00 pm and Sunday July 24th at 8:00 pm at the Nightlight Cinema in Akron, OH.]
Review by Candice Lee Catullo
YARN is the real-life global story of art, sheep and fuzzy string. But mostly it’s about people.
Review by Candice Lee Catullo
YARN is the real-life global story of art, sheep and fuzzy string. But mostly it’s about people.
The fascinating study, which debuted at SXSW from Icelandic
filmmaker Una Lorenzen, is a colorful treat for the crafty or the curious among
us. Since I aspire to be both crafty and curious, I’ll admit to being
predisposed to appreciate this documentary. That said, I think this film really
does have a captivating and rosy quality that everyone can appreciate.
There are four featured artists in the story, practicing
yarn art in different ways and in different countries (Iceland, Poland, Japan
and Denmark). But their inspirations and motivations have a lot in common.
For example, family ties – a textile sculptor from Japan and
a yarn graffiti artist from Iceland both acknowledge the women in their
families for teaching them knitting skills. Or motivation for life, both the
graffiti artist and an artistic director at a circus theater company described
their art as a metaphor for life. The artists make political statements, and
they use their art to connect with people.
The artists also described the sexism they experienced in
the art world, and described the way their art brings a warm, feminine touch to
the world. Based on the fact that all of the featured artists are women, I took
this connecting thread to be more of an overarching theme of feminism in the yarn
art world.
The actual yarn featured in YARN is in the artwork, ranging
from “graffiti” yarn on light posts and walls to woven playgrounds for children.
The art from each artist is something to behold, a super bright backdrop to the
human narrative.
Big shout out to the narrator, Barbara Kingsolver, who is
amazing. The voice of Kingsolver, a decorated American writer, is a warm
blanket and her words (based on her original prose, “Where It Begins”) are so
on point. When she described a sheep’s pasture as “tart green blades of eternal
breakfast,” I think my heart skipped a beat.
After an hour, the overt heroism of yarn art starts to feel exaggerated and a little bit fabricated – yarn pun!
– but I was still happy to explore with these artists. And I suppose there
wouldn’t be a YARN movie without honest belief on behalf of the artists that
there was a greater purpose to their craft, so I can’t criticize too harshly. 3 out of 4 stars.
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