Review by Candice Lee Catullo
As the wolf’s jungle law goes: "The strength of the wolf is the pack, and the strength of the pack is the wolf." The strength of the THE JUNGLE BOOK is in the powerful spectacle, and the strength of the spectacle is the striking details.
As the wolf’s jungle law goes: "The strength of the wolf is the pack, and the strength of the pack is the wolf." The strength of the THE JUNGLE BOOK is in the powerful spectacle, and the strength of the spectacle is the striking details.
THE JUNGLE BOOK is a fanciful telling of Rudyard Kipling’s book
of the same name. It’s not the first time that someone has turned it into a
movie, but it’s my favorite. In a world where a giant orangutan lives in an
abandoned jungle temple, and every leaf on every tree a special effect, I
imagine it would be a slippery slope for moviemakers to take shortcuts, leaps
of judgment or think they could get away with cheating the audience. But they
didn't. Every fake tree, every talking critter, every detail was treated with
respect and seriousness – even when the story took dark turns, much deeper than
the original Disney version in 1967.
Unlike that animated version, this version directed by Jon
Favreau (IRON MAN, ELF, CHEF) is realistic “live-action.” I’m making air quotes
with my fingers as I write “live-action” because there isn’t much live filming in the
movie. Not even the landscapes or backgrounds are real. I watched this movie in
3-D, and while there were not as many gimmicks as one expects from a 3-D experience,
the technology did build beautiful texture and layers to the jungle and it’s
characters.
Each piece of this jungle was carefully crafted with its own
light, own colors, own species. More fun that just exploring the different
parts of this jungle is the breakneck speed at which the journey carries
audiences from one watering hole to a patch of jungle thicket. The pace of the
movie followed suit, swift and energetic.
This JUNGLE BOOK telling is much darker than the children’s
versions of the same story. Favreau’s story is certainly for adults. There is
some homage to the more jolly 1967 kids’ version – there are two song snippets
in this one.
The whole cast of voices is super fun. Bill Murray as Baloo
the bear is especially amusing. Plus there’s Christopher Walken as giant
orangutan King Louie, Ben Kingsly as dignified panther Bagheera, Scarlett Johansson
as the sly snake Kaa, and Lupita Nyong'o as loving mother wolf.
Seriously, talking animals with the voices of famous people
could have been creepy. But, again, the seriousness and sensitivity of the
moviemakers prevailed. In the entire 105 minutes of talking animals, not one
time did the characters ever strike me as cheesy or tawdry. That’s kind of a
major success on its own.
The one live-action actor in the movie is 12-year-old Neel
Sethi as Mowgli. In his first feature film, Neel is a charming and strong
little man-cub. Stranded in the jungle as an infant, Mowgli was raised by
wolves. The story opens with Mowgli struggling to keep up with the other wolves
in his pack, in spite of his best efforts and the love from his fellow wolves.
But when the jungle villain, Shere Khan the tiger, sniffs
Mowgli out his wolf pack can no longer protect him. Shere Khan’s anger towards
Mowgli is a timeless narrative – humans, even those with the best intentions,
can be dangerous to the animal kingdom. Even if Mowgli knows nothing of the
human culture he came from, is he still an inherent threat to the jungle?
The story is captivating, dark, and never campy. THE JUNGLE
BOOK is a fun adventure. 4 out of 4
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