[THE VOICES
screens Thursday May 7th at 8:50 pm and Friday May 8th at 7:30 pm at
the Cleveland Cinematheque.]
Review
by Bob Ignizio
Most people talk to their pets and no
one thinks much of it. It's only when the pets start to talk back
that this we need to worry. And
Jerry (Ryan Reynolds) is definitely someone to worry about in Marjane
Satrapi's THE VOICES.
As
you might suspect from someone who believes his cat Mr. Whskers and
dog Bosco (both voiced by Reynolds) are talking to him, Jerry is
mentally ill. He's seeing a court appointed psychiatrist (Jacki
Weaver), but Jerry isn't following his doctor's orders to stay on his
meds. While staying medication-free has the benefit of making the
world a much more happy and brightly colored place for Jerry, on the
downside it casts his pets in the roles of the classic angel and
devil on his shoulders (Mr. Whiskers being the devil, Bosco the
angel).
Despite
his issues, Jerry not only does reasonably well at work, he also
works up the nerve to ask out Fiona (Gemma Arterton), one of the
girls in accounting. Fiona isn't interested in Jerry and only says
yes intending to ditch the poor guy. But fate brings the two together
when Fiona's car won't start and Jerry winds up giving her a ride
home.
On
the way to Fiona's house,, an errant deer smashes through Jerry's
windshield. When Jerry slits the animal's throat, Fiona freaks out
and takes off running. Jerry runs after Fiona and accidentally winds
up killing her. Things just escalate from there, especially when Lisa
(Anna Kendrick), another one of the accounting girls, strikes up a
genuine relationship with Jerry.
Satrapi,
a comics writer and artist who co-directed adaptations of her graphic
novels PERSEPOLIS and
CHICKEN WITH PLUMS
with Vincent Paronnaud, goes solo here. She gives THE
VOICES a bold visual look with
lots of bright pinks when Jerry is off his meds, giving much of the
film the feeling of a late fifties/early sixties fantasia. When Jerry
does take his pills things get decidedly grungier, not to mention the
fact that Jerry becomes more aware of his culpability.
THE VOICES
is a good looking film with a number of solid performances, with
Reynolds in particular standing out both on camera and when providing
the voices of Jerry's pets. The film's changes in tone between
comedy, tragedy, and horror can be sudden and jarring, but most of
the time that works in its favor as these shifts should be shocking. Unfortunately the obvious effort put forth by cast and crew can't
fully compensate for the fact that the script, credited to Michael R.
Perry, doesn't have much going for it beyond a morbidly amusing
premise. The lighthearted musical number over the closing credits is
a misstep, too, sending the film out on a note that feels wrongheaded
and dilutes the impact of an otherwise appropriately grim conclusion.
2 ½ out of 4 stars.
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