[THE
SKIN screens Saturday May 23rd
at 5:00 pm at the Cleveland Cinematheque.]
Review
by Bob Ignizio
Set
in 1943 Naples as American forces are driving the last of the Nazis
out of Italy, THE SKIN
shows the lengths regular people will go to in order to survive. For
the most part this is shown from the perspective of Curzio Malaparte
(Marcello Mastroianni), a pragmatist doing his best to use his
position as liaison to the American forces, led by General Mark Clark
(Burt Lancaster), to help his own people. When he's not doing that,
Malaparte tries to find time to romance Princess Consuelo Caracciolo
(Claudia Cardinale). American soldier Jimmy Wren (Ken Marshall) acts
as Malaparte's assistant and enjoy the company of Italian women,
including a possible real romance with Maria Concetta (Lilliana
Tari). There's also an Americna Senator's wife and ace pilot, Deborah
Wyatt (Alexandra King), who wants to see firsthand how operations are
going. Since General Clark doesn't want her getting in his way, he
pawns her off on Malaparte.
The
Americans, although naïve and well intentioned, become occupiers as
much as the Germans were. Unaccustomed to seeing what this level of
loss and devastation really looks like, they are appalled by much of
what they see, while simultaneously being drawn to readily available
(for a price) sex. The Italians, on the other hand, accept their
depredations in an almost matter of fact manner. They've been through
this kind of thing before, and while they certainly don't like it,
they understand what they have to do to survive. Were some of these
people fascists themselves during the war? Possibly, but it hardly
seems to matter when those who suffer the most, in particular women
and children, had little choice in what side of the war they were on.
Based
on the memoirs of the real life Malaparte, there isn't much of a
narrative to the film; it's basically just a series of vignettes held
loosely together by the characters. The various scenes mix comedy and
tragedy, romance and horror, often all at once. Among the more
shocking moments are meal in which the main course is a human hand,
and a flesh market where mothers sell their children for sex because
it's the only way they can get money to feed them. Somewhat lighter
moments, as when a bunch of kids strip a tank that some soldiers are
trying to sell in minutes, hardly balance the scales, nor should
they. 3 out of 4 stars.
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