[THAT GUY DICK MILLER
screens Saturday May 30th at 9:05 pm at the Cleveland Cinematheque.]
Review
by Bob Ignizio
If you're a fan of horror, science
fiction, and B movies in general, then character actor Dick Miller is
instantly recognizable from his countless roles both big and small.
Most often he worked for Roger
Corman and, later, Corman acolyte Joe Dante, but he can also be seen
in films by James Cameron and Martin Scorcese, and on numerous TV
shows. Now in his mid eighties, he doesn't work nearly as much as he
used to, but you can see him in Dante's forthcoming BURYING
THE EX, and in this documentary
from AMERICAN GRINDHOUSE
director Elijah Drenner.
As
far as show biz documentaries go, THAT GUY DICK MILLER
is pretty straight forward. We get a little background about Miller's
life, notably his parents' split and a stint in the army, before
moving on to the real focus: Miller's film work. Among his credits
are LITTLE SHOP OF HORRORS,
IT CONQUERED THE WORLD,
THE TERMINATOR, AFTER
HOURS, ROCK N ROLL
HIGH SCHOOL (“Those Ramones
are ugly, ugly people”), THE HOWLING,
GREMLINS, and the
film that features his most iconic role, that of murderous beatnik
artist Walter Paisley, A BUCKET OF BLOOD.
As one would expect, the doc supplies a generous assortment of
clips, and Miller's friends, family, and colleagues offer up various
anecdotes about the actor's life and career.
Interestingly, Miller wanted to be a screenwriter, not an actor, but it was not to be. He had a handful of scripts turned into movies in the seventies, including the Jerry Lewis vehicle WHICH WAY TO THE FRONT?, but the experiences were not good ones. Miller also shows some skill as an artist, although his choice of subjects is often bizarre, kind of like a more skilled rendition of the sort of things a high school stoner might scribble in his notebook.
Drenner
works primarily as a producer/director of DVD and Blu Ray bonus
features, mostly for cult films, and to a large degree THAT
GUY DICK MILLER feels like a
long one of those. It's enjoyable and informative, if somewhat
lightweight, but there's nothing wrong with that. This isn't the kind
of doc meant to change the world or capture an important moment in
history; it's just a nice little tribute to an actor who maybe never
made the big time, but who made the most of every role he ever had. 3 out of 4 stars.
A good film for Corman/grindhouse movie enthusiasts indeed - partially because the aged Miller seems so content with himself and life and his long, happy marriage (you’ll throw stuff, but reminded me of another underrated actor who probably would have fit in well with the Corman stock troupe, Ronald Reagan), there’s little dramatic angst, so the narrative drifts off-topic to appreciations of individual Corman and Joe Dante gems. Wish they had titled it YOU DON’T KNOW DICK.
ReplyDelete