[WHITE BIRD IN A BLIZZARD
screens Thursday January 8th at 6:45 pm and Saturday January 10th at
8:55 pm at the Cleveland Cinematheque.]
Review
by Bob Ignizio
Part coming of age story, part mystery,
Greg Araki's WHITE BIRD IN A BLIZZARD
is told from the point of view of Katrina “Kat” Connors (Shailene
Woodley) as she recalls when she was seventeen and her mother Eve
(Eva Green) disappeared without warning or trace. Eve's marriage to
Kat's father Brock (Christopher Meloni) was not a happy one, with the
formerly adventurous Eve resentful of being forced into the role of
traditional homemaker. She drinks, and takes every opportunity to
snipe at Brock, even threatening to leave on several occasions.
Still, it's a bit of a surprise to Kat when she seemingly follows
through with those threats.
Oddly,
though, Kat finds she's not all that upset about her mother's
departure. In recent years, her mom had seemingly become jealous of
Kat's budding sexuality, even going so far as to drunkenly flirt with
Kat's dimwitted boy-next-door boyfriend Phil (Shiloh Fernandez).
Besides, as Kat reasons, Eve made the choice to leave. Or did she?
Araki
imbues his film with a haunting strangeness that recalls his previous
foray into mainstream territory (by the culty-campy standards of the
guy who made THE DOOM GENERATON and
KABOOM!, at least),
2004's MYSTERIOUS SKIN.
Yes, there are a lot of elements in the plot we've seen in other
films, but the resolution of the central mystery still manages to
surprise and be reasonably satisfying. Araki's style helps to keep
things interesting in the film's more mundane moments, as does the
strong cast (which also includes Gabourey Sidibe, Thomas Jane, and
Angela Bassett in supporting roles).
In
the end, though, despite there being a number of things to like and
admire about the film, I found myself just not really feeling that
strongly about it one way or the other. It's... okay. Sure it has
some weirdness to it, and some of Araki's favorite themes about sexuality and repression are here, albeit not as overtly. Still, WHITE BIRD feels very much pitched down the
middle, just another "Sundance" movie for the indie crowd who don't want anything too different or challenging. That's not something I'd ever have expected to say about an Araki film . 2 ½ out of 4 stars.
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