Review by Bob
Ignizio
Once again this
year's Oscar Nominated Animated Shorts program drives home the death
of quality material there must be to choose from. Just as TV has
supplanted the cinemas as the place to find smart, well written
dramas from grown-ups, so too does it seem to be the home for quality
animation. It's the home for a lot of crap, too, but there are enough
creative shows on outlets like Comedy Central's Adult Swim and the
Cartoon Network that most aspiring animators with talent and a good
idea are going to try that route before they put too much time and
hard work into a theatrical short that few are likely to see (the
exception being Disney/Pixar, who generally do a couple shorts a year
to precede their features and who not surprisingly made the list of
nominees this year). Anyway, here's a rundown of what you can expect
in this year's program.
A Single Life – A really short
(2 minutes) and kind of gimmicky CGI admontion not to live life too
fast. A woman is sent a mysterious 45 record. The faster it plays,
the faster she ages, although she can turn back time by moving the
needle back. Clearly she shouldn't mess around with this, but she
can't help herself from wanting to see what life has in store. What
could go wrong?
Feast – This one played before
Disney's BIG HERO 6, and
it's a real crowd pleaser. A love story as seen through the eyes of a
puppy, the quality of whose mealtimes rise and fall with the romance.
Pretty much the only example of a classic Hollywood style cartoon in
this year's program, and my pick for the win.
Me and my Moulton – A middle
sister looks back to when she was 7 and all she and her sisters
wanted was a bike. Their mom and dad are moderninst art critics that
the other kids think are a bit weird, causing the typical kid
embarrassment over one's parents. Of course even the bike they
ultimately get is weird, but its okay because they're family. Eh
(shoulder shrug). 14 min.
The Bigger Picture – A stop
motion short that uses paper cutouts and various objects to tell the
story of two brothers dealing with an aging mother and the problems
that arise therefrom. Not an especially insightful look at the
subject, but the animation is good. 7 min.
The Dam Keeper – This one is a
fantasy about a pig child who lives in a windmill on top of a dam and
“keeps the dark away”. Despite providing this valuable service,
the other kids are cruel to him. At least until a new kid, a fox with
artistic tendencies, joins the class and the two bond over art. Nice
anti bullying theme, but just never came to life for me. 18 min.
And then there are a few extra shorts
that weren't nominated:
Duet – A symphony of light
and movement that follows a boy and girl from babyhood to young
romance. Not a lot of substance, but it's a symphony of light and
movement that does a good job showing what the animation artform is
capable of. Probably more deserving of nomination than a couple of
the actual nominees, in my opinion. 3 min.
Bus Story – Like “Me and My
Moulton” this one is a reminiscence, in this case about a woman's
first year driving a school bus in a small town. Her boss is a grump,
and the kids a bit surly, but over time it gets better. Nothing
mindblowing, but it's good natured and funny.
Footprints – Typically oddball
Bill Plympton short in which a man investigates a broken window by
following the tracks of the assailant. Has a delightfully nightmarish
feel, but probably a bit too typically Plympton to warrant a
nomination.
Sweet Cocoon – A fat
caterpillar tries to fit into its cocoon. Eventually it makes it with
a little help, but it doesn't end well. Kind of reminded me of this
weird South Korean show my son has discovered on Netflix called
Larva, which is frankly more
twisted and funny, although the animation on the show isn't as good
as what's here.
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