[CHEATIN'
screens Friday December 5th at 7:15 pm and Sunday December 7th at
9:10 pm at the Cleveland Cinematheque.]
Review
by Bob Ignizio
Animator Bill Plympton has a style that
is immediately recognizable to anyone who has seen even one of his
odd and often disturbing works. Perhaps best known for his short
films, two of which have been nominated for Academy Awards, Plympton
has also made six features, the latest being CHEATIN'.
As
the title suggests, CHEATIN'
concerns itself with infidelity. The film begins with a bizarre “meet
cute” in which an impossibly proportioned burly hunk becomes
smitten with an equally impossible woman while at the carnival. The
lunk ditches his date to save the woman from certain death on the
bumper cars, and the newly minted couple run off to cohabitational
bliss. Other lovelies try to get the lunk's attention, but he brushes
them all aside.
One
day, however, one of the many spurned ladies slips the lunk a photo
of his beloved in what appears to be a very compromising position.
Heartbroken, he goes tearing through town in his car and almost
drives off a cliff. After calming down, the lunk decides that the
best way to deal with the situation is to get a little on the side
for himself. Eventually his beloved finds out embarks on a quest for
revenge in outrageous and fantastical fashion.
There
is no dialogue in CHEATIN',
but everything you need to know is conveyed through the visuals just
fine. There are some clever sight gags that recall classic silent
comedies, as well as some visuals of a more explicit nature that
elicit a few laughs as well. Plympton's visuals are a steady parade
of the grotesque, and seldom has the sex act appeared less erotic.
Given how painfully generic most
animated features are, it's refreshing just to see a filmmaker showing
that long form animation has so much more potential than another CGI
family flick. One has to appreciate the pure artistic vision being expressed here. That said, although the film has its pleasures, CHEATIN's twisted
charm runs out well before the end. I had similar feelings about the other Plympton feature I've seen, I MARRIED A STRANGE PERSON. And yet I generally enjoy his shorts. Perhaps he just works better in small doses. 2 ½ out of 4 stars.
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