[THE CURSE AND THE SYMPHONY
screens Wednesday October 8th at 7:00 pm, Friday October 10 th at
7:00 pm, and Sunday October 12 th at 12:00 pm at the Chagrin
Documentary Film Festival.]
Review by Bob Ignizio
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Composer Nathan Felix |
Nathan Felix, formerly of the indie
rock band Noise Revival Orchestra, heard a symphony in his head and
was bound and determined to get that music out into the world. The
work, titled “The Curse, The Cross, & the Lion”, comes
complete with a story and cast of characters that, from the
illustrations we see, looks something like the Thundercats fighting
an epic battle against the creatures from THE DARK CRYSTAL.
Heck, I'd see a ballet or opera based around that idea.
Unfortunately,
the modern world of classical music isn't especially open to new
works even from more traditional composers. Audiences want to hear
the standards, and with budgets for orchestras already being fairly
slim, you give the patrons what they want or there may not be an
orchestra at all. So the fact that Nathan gets rejected by one
orchestra after another says nothing about the quality of his work.
It's just the way things are.
Despite
the obstacles, Nathan keeps trying. Eventually a friend puts him in
touch with conductor Andre Lousada, who was living in Prague at the
time. As luck would have it, though, Andre wound up in America. He
was interested enough in Nathan's symphony to take a stab at
conducting a recording of it, but with some pretty stringent time
constraints: one day of rehearsal, and one day of actual recording.
It could well be Nathan's only chance to make his dreams reality, but
would they be able to pull it off?
While THE CURSE AND THE SYMPHONY
doesn't quite feel like it needs to be stretched to feature length,
at just shy of twenty minutes it could stand to be a little meatier.
We kind of get rushed through a process that took several years, and
while we some idea of who Nathan is and what drives him, a little
more about both him and his collaborators would have been nice.
Still, what's here is not without interest, even for those with only
limited knowledge of classical music. At the end of the day, while
the music itself is important, the movie is really about one man
trying to realize his dreams against the odds, and who can't relate
to that? 2 ½ out of 4 stars.
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