*Note: This year
for our annual 31 Days of Halloween marathon of horror movie reviews,
rather than write about old favorites, we're focusing on modern
horror films that haven't had a wide theatrical release. So for the
entire month of October, we will be dealing with horror fare that you
can find in the “New Release” section of Netflix or (if you still
have one) your local video store. So instead of nostalgic
appreciations and recommendations, this promises to be more of a “the
good, the bad, and the ugly” kind of affair. Hopefully more good
than bad and ugly, but that remains to be seen.
Review by Bob
Ignizio
Last year's DISCONNECT
worked off the idea that the internet/computers/cell phones and just
about any and all other forms of modern technology are bad for
humanity as a whole. Today, Jason Reitman's MEN, WOMEN, &
CHILDREN opens in theaters
dealing with very similar themes. Both films are very earnest in
their almost Luddite attempts to instill fear in viewers that email,
texting, and social networking are leading humanity straight to Hell.
Sounds like a subject better suited to a horror movie.
THE DEN
is just that. The title refers to a chat room where users can
randomly find someone to talk to via webcam. Grad student Elizabeth
(Melanie Papalia) wants to do her thesis on the site, and manages to
convince her school to pony up the grant money. Her interactions
range from the mundane to the meaningful to the obscene, but things
get really scary when she chats with someone who appears to be a real
murderer. Not only that, but the killer seems to have hacked into
Elizabeth's computer and may be targeting her and her friends.
The
film is done in sort of a found footage style, only rather than the
usual shaky camcorder video we see everything through a computer
screen, often with more than one window open at a time and showing
multiple locations. Papalia makes for an engaging screen presence,
and the fact is the techniques used by director Zachary Donohue are
effective. Unfortunately things just get ridiculous in the final act,
and the ending leaves one wondering why they even bothered sitting
through the film. 2 out of 4 stars.
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