[GO DOWN DEATH
screens Thursday August 21st at 8:40 pm and Sunday August 24th at
8:25 pm at the Cleveland Cinematheque.]
Review
by Bob Ignizio
Sometimes you just have to throw up
your hands and say, “I don't get it.” Sure, on some level, one
will “get” that GO DOWN DEATH
is a surreal medication on mortality, at least for the first hour and
10 minutes before it abruptly shifts gears into something completely
different. Exactly what writer/director Aaron Schimberg is trying to
say about the subject, or why we should care, is more difficult to
pin down.
The
basic concept is that this film is an adaptation of a six page
pamphlet written by (fictitious) folklorist Jonathan Mallory Sinus.
There's a little boy who digs graves talking to his doctor, who
transforms from one actor into another. There are soldiers running
around in the woods. There's a brothel populated by all kinds of odd
characters including an amputee who feels that losing his leg made
him more his true self.
You
don't have to be a film expert to recognize that Schimberg is working
in a similar vein here to Guy Maddin and David Lynch, more Maddin
than Lynch I would think. Like those directors, he creates a tone of
general low key weirdness, and the faux historical conceit is similar
to Maddin's MY WINNIPEG.
The black and white cinematography and phantasmagorical visuals are
captivating at first, but after a while one starts to realize the
film isn't really going anywhere.
Given
that there are so few films willing to go out on a limb artistically
as this one does, it's hard not to at least admire the singular
vision of GO DOWN DEATH.
Just because so many films play it so safe is no reason to start
grading on a curve, though, especially when this year has already
seen a far more satisfying surrealist masterpiece in the form of
Alejandro Jodorowsky's THE DANCE OF REALITY.
GO DOWN DEATH is
ambitious and visually captivating like DANCE,
but it's also frustratingly opaque and self absorbed. 2 ½ out of 4
stars.
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