[THE
RETRIEVAL screens Friday August
1st at 7:00 pm and Sunday August 3rd at 1:30 pm at the Cleveland
Museum of Art.]
Review
by Bob Ignizio
Marcus
(Keston John) and Will (Ashton Sanders) are black slave catchers
working for white bounty hunter Burrell (Bill Oberst, Jr.) during the
American Civil War. Although Marcus is Will's Uncle, he doesn't have
much use for the boy and even tries to sell him to Burrell before
setting off after his latest quarry, a grave digger named Nate
(Tishuan Scott) who has a hefty price on his head.
The
plan is to convince Nate his brother is dying and wants to see him
one last time before he expires. In this way, Nate will willingly
walk himself back south into danger where he will eventually be
captured by Burrell and his men. Will is entrusted with a crucial
part of the plan, but the longer he spends time in Nate's company,
the harder it is for him to go through with it. Initially hard and
mistrusting, Nate eventually becomes something of a father figure to
the Will. And yet a combination of fear over what will happen if he
doesn't go through with the plan, and the promise of enough money to
secure his future if he does, makes doing the right thing and warning
Nate difficult for Will.
This is not a
slavery movie per se like 12 YEARS A SLAVE or even DJANGO
UNCHAINED. Writer/director/editor
Chris Eska has said he intended THE RETRIEVAL to be, "more of an
emotional drama with elements of the western, road movie, coming of age, and suspense
genres." At its heart, though, the main focus of THE RETRIEVAL is the moral dilemma facing Will.
emotional drama with elements of the western, road movie, coming of age, and suspense
genres." At its heart, though, the main focus of THE RETRIEVAL is the moral dilemma facing Will.
Nonetheless, there's still room for a fair amount of action, including some well executed small scale battle scenes that belie the film's low (by Hollywood standards, anyway) budget. Eska's style is a bit flat, perhaps best described as
“meat and potatoes” movie making, but the compelling story and strong performances go a long way towards making up for any shortcomings. 3 out of 4 stars.
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