[COLD
IN JULY opens in Cleveland on
Friday May 30th exclusively at the Capitol Theatre.]
Review
by Bob Ignizio
In
COLD IN JULY, Richard
Dane (Michael C. Hall) encounters a burglar in his home late one
night and accidentally shoots and kills the man. The local police
assure him he did the right thing, accidental or not. That is not an
opinion shared by the burglar's father Ben Russell (Sam Shepard). Ben
shows up for his son's funeral and, when Richard tries to apologize,
starts making thinly veiled threats against Richard and his family.
It
looks like we're heading into CAPE FEAR
territory, but then the film throws us a curve-ball. It turns out the
man Richard killed wasn't really Ben's son. The two fathers form an
uneasy alliance to get to the truth, bringing in private detective
Jim Bob Luke (Don Johnson), and old army buddy of Ben's, to help. Not
going to give any spoilers here other than to say the deeper they
dig, the more shocking the revelations.
Director
Jim Mickle and his writing partner (and supporting actor) Nick Damici
have crafted a screenplay that stays relatively faithful to the novel
of the same name by Joe R. Lansdale, a book which just happens to be
a personal favorite. Certainly changes have been made, but the themes
remain largely the same, exploring definitions of masculinity, the
responsibilities of fatherhood, and the consequences of violence.
Some of the humor of Lansdale's book has been toned down, but there's
enough of it left to provide some much needed breaks from the
tension.
As
director, Mickle embraces the late eighties setting of the story.
COLD IN JULY boasts a
great synth driven score and soft primary color gel lighting, and the
story puts the spotlight on ordinary, working class characters. It
could almost pass for a lost John Carpenter movie with cinematography
by Dean Cundey.
The
conflicted, insecure protagonist Hall plays here ought to help him
break away from typecasting after so many years playing a cold,
calculating killer on Dexter.
Shepard makes a great old man you don't want to mess with, and if Don
Johnson seems a little bit over the top as Jim Bob, all I can say is
he's almost tame compared to how the character was written in the
book. As much as I miss some of that, it's probably for the best in
maintaining a consistent tone for the film.
While
there will always be those who grouse that, “the book was better”,
I think most fans of Lansdale's novel will be pleased with this
adaptation. Of course Lansdale's readership, though avid, isn't
particularly large. For everyone else, if you like the idea of an
intelligent, at times darkly humorous thriller that is very much
aware of genre clichés and takes great pleasure in subverting them,
you can't do much better than COLD
IN JULY.
4 out of 4 stars.
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