[OMAR
opens in Cleveland on Friday February 21st exclusively at the Cedar
Lee Theatre.]
Review by Bob
Ignizio
In order to see Nadia, Omar must hop over the Israeli West Bank
separation wall. Getting over isn't the hard part, though. It's
avoiding the patrols on either side.
This and other aspects of the Israeli occupation take their toll,
both physical and psychological, on Omar and his friends. Tarek in
particular is determined to fight back, and along with Omar and
another friend, Amjad (Samer Bisharat), he sets out to do just that.
So late one night, Omar steals a car and, acting on Tarek's plan, the
three young men creep through the woods until they are within sight
of an Israeli guard post. Amjad, in what amounts to an initiation
into the resistance, shoots a guard.
Later, Israeli forces come after the three and manage to capture
Omar. Under interrogation, his feelings for Nadia are used to make
him give up the shooter. If he cooperates, he will be a traitor, and
forever under the threat of being used by his oppressors again, lest
they reveal his betrayal. If he says nothing, he will be face a stiff
sentence for his part in the violence, making a life with Nadia
impossible. Omar seemingly opts for the first option, but isn't
entirely honest with his captors. We're not sure what he will
ultimately do, but as paranoia mounts and other betrayals are
reveals, one thing is certain: no matter what Omar does, he's
screwed.
OMAR
is unapologetically told from a Palestinian point of view in which
the Israeli's are the oppressors. If you have a problem with
exploring that viewpoint, then this is not the movie for you. If
you're a little more flexible, then you can see that regardless of
what side of the issue you might be on, for a young Palestinian like
Omar, this is his reality. One can talk in abstract terms about where
the borders should be, and whether the wall Israel has built is
justified or not (according to international law, it's not), but on
the personal level, it's not difficult to put oneself in Omar's shoes
and see the impossibility of the choices available to him. 4 out of 4
stars.
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