Review by Pete Roche
“If they ever built a burglary
Hall of Fame, it’d be in Collinwood,” opines former Cleveland Chief of Police
Ed Kovacic in SUPERTHIEF.
The documentary—now on DVD from
Crooked Fence Productions / Dundee Entertainment—is filmmaker Tommy Reid’s
second cinematic study of the colorful characters spawned during the mob wars of the ‘60s-‘70s on Cleveland's east side.
Like Reid’s 2010 biopic, DANNY
GREEN: RISE AND FALL OF THE IRISHMAN, SUPERTHIEF draws from a book by Lyndhurst
Police Chief (and jazz drummer) Rick Porrello and features testimony from
authorities and La Cosa Nostra ex-cons who fought on both sides of the law in
the turbulent seventies. And just as
Jonathan Hensleigh’s KILL THE IRISHMAN converted Reid’s documentary and
Porrello’s book into a solid action pic for big-screens, SUPERTHIEF begs for Hollywood overhaul.
Rather than focus on Cleveland’s
Italian-American mobsters per se, the 80-minute true-crime retrospect centers on
burglar Phil Christopher’s headline-making 1972 heist of the United California
Bank in Laguna Niguel, from which the alarm expert and his conspirators
extracted a record-breaking bounty estimated between $30-70 million. Subtitled BEHIND AMERICA’S BIGGEST BANK
SCORE, the film lets Christopher tell his own tale (with contributions from
cops, lawyers, and federal agents) and highlights the methodology—and
moxie—that made their crime the most sensational bank burglary ever.
We’re told how rheumatic fever
derailed young Christopher’s sports career, turning the teenager down a dark
path in the early ‘60s. Starting off as
a doorman at gangster social functions in dry cleaning basements and restaurant
back rooms, he absorbed the knowledge and confidence needed to muscle
schoolmates for cash, steal cars, and knock over convenience stores. Christopher gained further insight as an alarm
systems expert and kept pace with the technology. Lifelong Collinwood resident Buddy Pecnik
speaks of how his old friend couldn’t help but enter a car dealership or
grocery store and take note of their surveillance cameras and wired windows.
We learn through 2010 interviews
with top-cop Rocco Pollutro, FBI agents Paul Chamberlain, and Cuyahoga Country
Prosecutor Carmen Marino how Youngstown bad-boys Amil and James Dinsio
masterminded the Laguna Niguel heist after hearing rumors that President Nixon
stashed money and valuables there—as did many of the area’s affluent—to avoid
reporting said wealth to the IRS. The
Nixon myth is debunked, but the Dinsio crew determines to head west and
infiltrate the gated community. Harry
and Ronnie Barber sign on to handle transport and lodging. Charlie Mulligan joins as a lookout. Tapped for his safecracking and alarm-jumping
expertise, Christopher brings buddy Charlie Broeckle along as an extra pair of
eyes.
The team sets up shop in a condo
overlooking the bank and—posing as birdwatchers and joggers—scopes out the side
days in advance. Christopher swipes a
utility ladder from a nearby church but can’t locate the phone wires he needs
to bypass the bank security. Unwilling
to admit defeat, he talks the group into a second attempt and successfully
jumps the on-site audible alarm, disengages the remote silent alarm, and
breeches the time-lock vault. Inside,
the goodfellas use customized sledgehammers to unburden some 500 safety deposit
boxes of their diamonds, gold, and bearer bonds.
The L.A. investigators are dumbfounded by the
burglar’s sophistication, but the sum of the loot taken—and the elite social
status of its rightful owners—prompts a nationwide call for help. No leads turn up until Christopher and the
Dinsios pull off a similar job in Lordstown,
Ohio, causing police to pressure
Mulligan. It doesn’t help that
Christopher and Broeckle used their real identities when flying to California instead of
aliases; detectives quickly connect the dots when the crooks’ names pop up on a
passenger manifest.
Christopher earns early release
after three years in Terra Haute prison, but a pesky Plain Dealer reporter gets
the parole rescinded after connecting him to a 1968 homicide. Reunited with wife Mary Ann after nearly
thirty years behind bars, Christopher reflects on his criminal past and ponders
what might’ve been.
A peculiar, mutual admiration
between crooks and cops emerges as the story unfolds. Every lawman interviewed agrees Christopher
and his friends were smart enough to have been successful in just about any
legitimate line of work—but they wouldn’t have gotten the same “rush” at a
9-to-5 job. Conversely, the conmen
appreciate police efforts to crack the case and—being nonviolent offenders—know
when the jig’s up and when to acquiesce without bloodshed.
SUPERTHIEF’s emphasis on
interviews and vintage black-and-white photos gives it a History Channel feel
(the funky, PEOPLE’S COURT-like score doesn’t help) . It’s one thing to see and hear sexagenarian
Christopher talk about potentiometers and pry bars from the comfort his living
room sofa (with pictures of his grandkids in ballerina tutus in the
background). It’d be quite another to
actually see these tools being used—to
see these guys dynamite the bank rooftop and trip the time-locked vault—even in
a low-budget recreation. Still, it’s a
solid standalone documentary and terrific tie-in with both Reid and Hensleigh’s
IRISHMAN efforts (even “Shondor” Burns reappears). 2 ½ out of 4 stars.
View the SUPERTHIEF trailer here:
DVD available here:
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