Review by Joseph Anthony
Billy stares at a delivery truck with the license plate “creep.” Inside the deliveryman is an extremely creepy goblin. Billy is waiting for his “Creepshow” comic book. The goblin delivers the comic and inside are the stories that will make up CREEPSHOW 2, a 1987 movie with all the little charms of an 80’s horror flick.
Billy stares at a delivery truck with the license plate “creep.” Inside the deliveryman is an extremely creepy goblin. Billy is waiting for his “Creepshow” comic book. The goblin delivers the comic and inside are the stories that will make up CREEPSHOW 2, a 1987 movie with all the little charms of an 80’s horror flick.
As a boy I remember watching both CREEPSHOW’s back to back
on gloomy fall afternoon. And while the films certainly terrified me to never go
out and swim in a lake again or caused me to ponder what might be lurking under the
staircase, I was always more interested in the mood of the films, particularly
CREEPSHOW 2.
The sequel to 1982’s star-studded CREEPSHOW, which was moderately
successful, the movie is once again based on Stephen King’s short stories. This time around it was only written by horror legend George A. Romero (NIGHT OF THE LIVING DEAD, DAWN OF THE DEAD and generally any movie with the word "dead" in it), who directed the first film, with longtime Romero associate Michael Gornick taking over in the director's chair. CREEPSHOW
2 has no stars and less tales, narrowing the focus to three stories as opposed to the originals five. This
means the stories are given more room to breath, although they’re still brief
enough that they do not over stay their welcome. In between each story is a hokey
cartoon introducing a new story. This is easily the weakest part of the film adding relatively little.
Needless to say, if you didn’t like the original, this one will won’t speak to
you either.
The first story told is “Old Chief Wood’nhead.” It starts off revolving around Martha
Spurce (Dorothy Lamour) and Ray Spruce (George Kennedy), an old couple who own
a general store in the town of Dead River. Martha wants to put an end to the
store, but Ray can’t let go. The town, like its name implies, has died off and
there is little difference to be made there anymore. In front of the store
stands Old Chief Wood’nhead, a full-figured wooden carving of an Indian chief.
Ray takes great care of the chief, speaking to him as if they’re old friends. When Ray is repairing the
wooden statue, Ben (Frank Salsedo), a local native in debt to Ray, arrives and
asks him to keep the jewels of his tribe as a guarantee for their debts to his
store. Soon after Ben leaves, his nephew Sam (Holt McCallany) unexpectedly
arrives with two other men to steal his uncle’s recently dropped off jewels.
Sam’s visit leads to real horror as the wooden
chief becomes animated and exacts revenge on Sam and his friends. It’s a brief
tale with no real twist outside of the moving statue, but it’s just short
enough, and strange enough, to be memorable.
CREEPSHOW
2 also presents the story of “The Raft.” Simply put, the
story revolves around a group of teenagers looking to have a good time on a
lake, a setup horror fans know inside and out. They swim to a wooden raft floating in the
lake. As they try to partake in their mischievous activities they discover a
carnivorous blob in the lake that is hungry. Unwilling to take their chances
swimming, the teens are stranded, unable to do anything but watch the horror around them. Of the three
stories, this one offers the least to consider outside the idea that there’s
something more out there in the water than sea life.
Finally, there is “The Hitchhiker.” Annie Lansing (Lois
Chiles) plays an extremely unlikeable woman cheating on her husband. In the
midst of her affair, she realizes she is going to be late picking up her
husband at the airport. Annie
begins to drive, but in her frenzy, she loses control on the road. Annie runs
over a hitchhiker, but it’s a hit-and-run. As she drives on the hitchhiker
begins to haunt Annie and turning her trip into a nightmare. Look for Stephen King to
make a cameo in what is probably the most developed story of the three.
A somber tone hangs over the film, as is the case with much
of King’s writing. The stories are fantastical, but always grounded in reality. Sometimes
overwrought with grisly images, the tales offer short glimpses into oddities
occurring in places all around us. It’s that feeling of connectivity that makes
it feel like this could be a place you’d stumble upon. Of course, CREEPSHOW 2
isn’t caught up in societal critiques, but tends to lean towards the more
obvious types of horror clichés and moral lessons. Still, the stories, for
whatever reason, stick with you.
CREEPSHOW 2 isn’t a particularly well-respected film.
Dismissed by many and appreciated by few. To be sure, this isn’t a classic film
and it’s not the scariest, but if you have an hour and a half and feel like viewing
a few strange stories, sit down and enjoy the ride. It’s safe to say you don’t
need to see the first CREEPSHOW to understand the sequel. CREEPSHOW 2 is currently available on Netflix Instant. 3 stars out of 4
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