Review by Bob Ignizio
Walt Disney studios has always had a dark streak going back at the
very least to the first “Silly Symphony” cartoon, 1929's
“Skeleton Dance”. Those tendencies towards the spooky and the
macabre continued once the studio began producing feature films
starting with their 1938 debut
feature SNOW WHITE AND THE SEVEN DWARFS.
It may sound strange, but when the film played in Italy, where horror
films were banned under Mussolini, it inadvertently inspired the many
homegrown horrors that would come in the fifites and beyond with its
terrifying imagery, in particular Dario Argento's SUSPIRIA.
And then there's the “Night on Bald Mountain” segment of
FANTASIA in which a
massive demon summons all manner of ghosts and ghouls. But for me,
the spooky Disney feature that had the biggest impact was THE
ADVENTURES OF ICHABOD AND MR. TOAD.
The MR. TOAD
half of the adventures isn't particularly scary, despite narration by
noted Sherlock Holmes portrayer and sometime horror star Basil
Rathbone. Rather it's an enjoyable enough funny animal romp based on
Kenneth Grahame's 'The Wind in the Willows' in which a wealthy
amphibian is taken with a “mania” for automobiles that winds up
landing him in jail when a gang of weasels and their human leader
frame him for stealing a car. There are worse ways to spend a half
hour, but it's hardly Disney's finest hour.
The real highlight of the
ADVENTURES is “The
Legend of Sleepy Hollow”. The segment is narrated by Bing Crosby,
who also provides vocals for a few musical numbers. This is a classic
slow burn horror story, with the set-up of a romantic rivalry between
the odd looking schoolteacher Ichabod Crane and the strong, handsome
prankster Brom Bones over the affections of the lovely Katrina Von
Tassel being mostly light hearted. But as Ichabod continually gets
the better of Brom, things start to take a turn towards the dark and
spooky.
At a party, Brom relates the
legend of the Headless Horseman in a catchy as all get-out number by
Bing Crosby. Ichabod, who is superstitious by nature, can't help but
think about Brom's story on his ride home. The tension builds, with
ordinary woodland flora and fauna taking on a frightening aspect,
until finally the Horseman himself appears before Ichabod, setting
the school teacher off on a ride for his life. It's all great, spooky
fun that offers some genuine chills for kids without traumatizing
them. Watching it again for this review, it may not have sent chills
down my spine, but it certainly brought a smile to my face.
Unlike the better known Disney
classics, this one doesn't get put back in the vault and revived for
theatrical exhibition. In fact, it found what is arguably it's true
home on TV, split in two for airings on the various Disney TV
programs over the years. That's where I, and most folks in my general
age group, first encountered Ichabod and the Horseman, although I
never did see Mr. Toad until just prior to writing this review. And
for what it's worth, I think the two tales work better separately as
they don't really have much in common other than being based on
literary works and having famous narrators. Nonetheless, that's the
official way you'll find them now, as Disney has restored the film to
its original form for home video. Overall, that would make it a 3 out
of 4 star movie. But since this is the Halloween season, though, if
the Horseman were do a little chopping, his segment on its own would
rank a full 4 out of 4.
I don't believe Mussolini was alone in banning Disney cartoons for their "horrific" content; if I'm not mistaken, Great Britain was among other democracies that effectively put parental advisories on SNOW WHITE AND THE SEVEN DWARFS.
ReplyDelete...Either that or Dr. Who time-traveled to 2012 and learned that a rising UK director would get caught in a sordid adultery scandal on the set of his own SNOW WHITE AND THE HUNTSMAN, and the Timelord's warning to the British movie industry of the past got all scrambled due to a Cyberman ambush. Just a theory.