[ LONDON: THE MODERN BABYLON
screens Thursday June 6th at 7:00 pm and Saturday June 8th at 11:00
am.]
Review
by Bob Ignizio
From the dawn of the 20 th century to
the present, LONDON: THE MODERN BABYLON
looks at the social, historical, and technological changes that
shaped England's capitol city and by extension the country as a
whole. Director Julien Temple isn't all that interested in the Royals
and well known political figures, though (although they do
occasionally show up). Rather, his film looks at events largely
through the eyes of regular working class Londoners.
Because
of this slant, we see that even though England was a rich, powerful,
and vast empire in the early years the film covers, many of its
citizens lived in appalling poverty. We also get to learn about such
interesting moments in history as the “Battle of Cable Street”
when a group of immigrants, communists, and general “lower class”
types stood their ground against a march by Nazi sympathizer Oswald
Mosley and his supporters. The overall theme running throughout is
the way in which conformity and the status quo gets pushed
politically and socially, and the inevitable backlash when those
forces become too oppressive.
Of course some of the expected
historical highlights have to be here. You can't very well do a movie
about the history of London without dealing with the Blitzkrieg, can
you? But even when dealing with this subject, Temple is more
interested in how the average Londoner coped with the siege than he
is in History Channel statistics about the toll of the bombings. And
despite Temple's association with several rock stars, there isn't
much about the “British Invasion” of the sixties, and only a
little more about the punk scene, for which Temple clearly has more
of an affinity.
Yes,
the film has a slant, and it's certainly not towards the right. But
LONDON: THE MODERN BABYLON
is upfront about its viewpoint and makes no apologies for it. It's
not trying to be a comprehensive and definitive history of all the
big and important events and people of the past 100 years. It's
trying to tell the story of the sort of people who usually don't get
to be heard, and as such it does an excellent job. 3 1/2 out of 4
stars.

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